Seth Swirsky "Watercolor Day"

If there is anyone with classic pop running through his veins it’s Seth Swirsky (The Red Button). With his sophomore release “Watercolor Day,” it’s a soothing journey into baroque pop stylings that recalls Brian Wilson, Burt Bacharach and Paul McCartney’s solo period. The title track oozes laid back sunshine with a touch of Beatley horns. Assisting Seth is another pop genius, Rick Gallego (Cloud Eleven) whose influence is unmistakable in tracks like “Fading Again” and “Four O’Clock Sun” where the slow flowing Beach Boy harmonies take over. A ton of highlights are on this fantastic album, from the Pet Sounds influenced “Summer In Her Hair” and “She’s Doing Fine” to the 10cc multi-themed magic of “Matchbook Cover.” Some songs are mere acoustic sketches (“Song For Heather”) or XTC-like nursery ryhmes (“Sand Dollar”) but each style fits the album’s overall tone. The rare misfire here is the aptly name “Big Mistake” which sounds too close to Monty Python’s “Lumberjack Song” to take seriously. The Bacharach styled songs “Stay” and the introspective “Twenty Minutes to Myself” both have a simple but satisfying theme. This is also the second disc I listened to this month with a Nilsson love letter track.  The piano and lyric describes the childhood worship of this “musical Van Gogh” in “(I Never Knew You) Harry.” The orchestral touches are subtle and the melodies are superb throughout the album. Any way you look at it this disc is pure summer sweetness distilled and I am proud to list it in my year end top ten.

My Space | CD Baby | Kool Kat Musik | Not Lame | Amazon

Maple Mars and Brady Harris

Maple Mars “Galaxyland”
A welcome return from Maple Mars frontman Rick Hromadka greets us on Galaxyland. The spacey concept album starts with “The Excursion” filled with detailed rhythms, guitar melodies and expansive psyche pop touches that compare well with Lynne-era Move. Following this is “Starting Over (Again)” which has a gorgeous 70’s styled big rock guitar sound, fans of the band Boston will love this. Give credit to Rick and his band: Steve Berns (guitar), Ron Pak (drums) and Trevor Zimmerman (bass) for the fantastic production and memorable melodies. “Big Imagination” has a heavy gloss that combines Steely Dan with Klaatu, and it’s a real keeper. And the band brings on the prog pop heavy guns with Mark Radice’s “Prelude: New Day” and it continues with the acoustic “New Day.” It starts to get bit preachy with “Citizen Roger” like an early Yes and Pink Floyd hybrid. The lyrical message works better on “Borrowed Sunshine” an excellent song that speaks to today’s recent lack of faith in institutions, and the “struggle to see things through.”  It ends on a high note with the bouncy gem “Somewhere back there” full of layered harmonies. I feel Rick has taken Maple Mars to the next level here. Kool Kat is now offering the album with a bonus disc with five additional tracks. Highly recommended indeed!

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Brady Harris “Year Of The Pug”
Texas native Brady Harris plays a strong Beatles-styled roots pop with a detailed and nuanced approach. With a soft echo Harris puts together a wonderful album filled with laid back tunes that are easy on the ears. Starting with the light strum and minor chords of “Floating,” Brady even has a bit of John Lennon’s cadence similar to “Happiness is a Warm Gun.” Highlights for me are the fantastic “Little Miss Mouring” and the “Julia” styled guitar rhythm on “Stars Shine Bright.” The country side is a bit more pronounced with some nice pedal steel guitar touches on “Drunk In The House” and the defiant piano and guitar solo breaks on “Slipping By” make it another standout. “That’s All You Need” is a fine melodic showcase along the lines of “Hey Jude.” No filler here either, which makes it an extra strong album. Songs here are all very good and fans of both alt. country and Beatlesque styles will find plenty to enjoy.

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Spirit Kid "s/t"

Multi-instrumentalist Emeen Zarookian (aka Spirit Kid) is a real find, an artist with a flair for hook-filled melodies with energy and pop genius. Very much in the Elephant Six mold, his style fits right alongside classic Apples in Stereo and Olivia Tremor Control with it’s twee vocal elements and solid indie production. Opening up with the “You Lit Up For Me”, it rushes along like warm breeze and comes to a slow wind down. The sound of classic Beach Boys, Beatles, and The Kinks are easy to spot influences that float through the entire album. Each song has compact little arrangements, like “My Imagination” is pure pop ear candy full of multiple harmonies and “la la” choruses and shifting minor chords aplenty. The uplifting “The World Doesn’t Stop” is another lovely gem, with bass/lead guitar interplay and intoxicating builds. “Flytrap” adds some 70’s funk bass and Santana styled guitar rhythm. The very Lennon/McCarnety styled diversions (“Wait A Minute” and “Your Friend Too”) have a more pysche-pop spacey flavor that suit the album cover. Every song requires multiple listens to appreciate all that intricacy and there is no wasted ideas here either. This is the little album that could, so give a chance and you won’t regret it.

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Listen to “You Lit Me Up” as part of a “Weeds” promo. Awesome!!!

The Very Most and Matthew Pop

The Very Most “A Year With The Very Most”
A simple concept album by Boise’s finest indie pop band that is a compilation of  the band’s excellent EP collection. Each EP was stuffed with melody, subtle humor and a seasonal theme. In the twee-pop tradition of the Shins and Belle & Sebastian, full of joyful enthusiasm and layered vocals. The mood of each song changes with the seasons, and many of the nineteen songs are under three minutes, just enough to build the atmosphere. With Summer almost here, it’s my favorite section — “A Mid-80s Lower-Middle Class Family Summer Road Trip” opens with castanets, horns and drums in a Beach Boys styled dream suite, perfect for an open road trip. “The Motor-Vu Lights” and “You’re In Love with the Sun” are just plain ear candy, and fans of Cloud Eleven, Gerry Beckley, Jeff Larson will enjoy the smooth arrangements and vocal harmonies. Finally, an album you’d want to hear all year long!

My Space | Very Most website | Amazon

Matthew Pop “Reinventing The Cosmos”
Millions of people have already heard Matthew Pop’s music without realizing it. Matthew has done on-screen music for  independent films and hit shows like MTV’s “The Real World” and this is his fourth album.  Pop’s sound is a buzzing guitar and big drum beat approach that is contemporary with hard rock overtones. The opener “Without You” is an impressive start, full of Weezer like hooks in the chorus and a warbling lead guitar. Another good power pop track is “Anytime You Say Goodbye” with a driving riff similar to Splitsville. The hard guitar riffs lead “Take Me Home” closer to a typical arena rock sound, but after that the remaining album doesn’t give us much more. It seems to trace contemporary emocore trends in rock with songs like “The Younger Kind” and “Uninspired” which could fit in Taking Back Sunday’s playlist. Thankfully the slower title track has some excellent chord changes and an interesting melody at the album’s end. While I enjoyed the album’s first half, the remaining portions felt too commercial to me. But if you’re into that style it may be fine for you.

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Spygenius "Red Lounge"

There are certain bands that just defy convention, and Spygenius is one of them. The combo starts this album with a mix of lounge organ, guitars and percussion with “Digden’s Rise.” It could be some alternate James Bond movie theme, with it’s dark jazz elements and stormy ending. It’s a heady start, but it yields to the brighter “Smardy’s Fish Paradise” which smacks of Neil Innes or Stackridge with a ramble about English love. This style continues on “The Ballad Of Jack Snipe” where the XTC tradition of multiple themes and rhythms layered one after the other make a compelling listen. Guitar strum and handclaps lead the song “Stupid” and the stream of consciousness lyrics help keep it listenable. Unfortunately, the band seems to fall into a self-indulgent spiral on “Matter Out Of Place,” but they recover nicely on the great “First Do No Harm” which sounds like it fell off of a classic Crosby Stills Nash album. The album loosely tries to shift musical gears with each tune, and it doesn’t always work. “You’ve Got A Lucky Face” and few other tracks speed up tempo or volume to point where they feel forced. Thankfully another gem here “The Girl Who’s Everywhere” fills the air with Byrdsian guitars and vocals, and “Trolls” is a six-minute epic that any Stackridge fan will cheer loudly to. Eclectic listeners will find Spygenius a real treat.

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