Category: Highly Recommended by Powerpopaholic

Ugh, Always late to the party. This one just got by me because I did my top ten list early this year, and but it gets special consideration — and I’d like to amend my list for it. Plasticsoul hails from L.A. and this album just blew me off my chair when I popped it in. Then Absolute Powerpop put this as his #1 album of the year. It’s hard to argue against this… it’s simply a work of genius. Opening with “Sentimental F**ks/ Life On Other Planets” is rich with Beatlesque guitar riffs, music hall piano and a drum break that Ringo would envy. The loud “Cock Rock 101” is exactly what you think it sounds like. The following tune “Champion Tragic Boy” channels a bit of Jellyfish, with it’s catchy mid tempo harpsichord melody. A sweet pastoral “Fishwife” full of sitar and bongos follows this, and then the tragic ballad “Cancer” which double tracks lead vocalist Steven Wilson and adds backwards guitar for further effect. The aching chorus of “Cut it out/ Please cut it out. Cancer is breaking me down.” is unforgettable. The album settles into a more laid back groove, with acoustics opening the next six songs, including “Shame” and the very Michael Penn like “New Town Different Day.” The orchestral sweep of “San Francisco” is another easy listening winner here. A duet with Wendy Wang on the countrified “You’re Not Free” has plenty of soul. The album’s mood shifts perfectly into psychedelic pop on “My Three Friends” which follows a rhythm similar to “While My Guitar Gently Weeps” and then continues with the groovy “Rainy Season.” This is the most sophisticated power pop album I’ve heard this year. Don’t miss it.

My Space | CD Baby | Not Lame

Paul Starling “Aimed Arrows”

A few years ago Paul Starling gave us the sweet “Ghost Waltz” which was re-released as “Doors and Windows.” The aching vocals are still there with Beach Boys overtones and wall of sound production on the opener “Lay Down Your Weary Arms.” The banjo and lazy day rhythm of “The Mission” is another winner here. A rich contrast of orchestral flourishes and acoustic guitar are part of “Tired Of The Casual Goddess” makes for an echoing dreamscape. Things get a bit too echoey on “Yes I Know What Day It Is,” but the song is a well structured pop blues tune, and this is well worth the meager four bucks on Paul’s site. His blog also contains some free bonus music downloads, so you can get a few samples before you break the bank.

MySpace | Paul Starling’s Site | Reverb Nation

Friendly Foes “So Obscene”

The Detroit trio known as Friendly Foes are back and after last years “Born Radical” it’s great to get this holiday gift. With a bounce and the same raw guitars courtesy of Ryan Allen on “How It Works” with a relentless guitar attack. Then we get the excellent single “Keep Breathing” which gives you a power pop punk groove full of energy and enthusiasm. Lead singer Liz Wittman hits here stride here and does an amazing job. Both “Paint It Gold” and “Line Up” have plenty of enthusiasm and the crashing cymbals of drummer Sean Sommer. Fans of Cheap Trick, Sloan, and Garbage will flip for these hooks that come fast and hard. The acoustic ballad “A Million Scenes” doesn’t quite live up to the other songs, but after these first four shredding head banging tunes you’ll be playing air guitar in no time at all.

MySpace | CDBaby

This was released in January but I wanted to include it in my top ten list. Three years after his departure from Phantom Planet, musician/actor Jason Schwartzman returned to L.A.’s pop-loving circles with the solo project Coconut Records in 2003. Schwartzman is one of those rare breeds: an actor with musical talent that translates well. Sometimes this works (Zooey Deschanel) and sometimes it doesn’t (Scarlett Johansson). Well here on his sophomore effort Davy, it works really well. These are instantly catchy pop nuggets that recall Elliot Smith, The Beatles and Magnetic Fields. The relaxed “Microphone” highlights the hook filled and instrumental mini-symphony. The mid tempo “Any Fun” borders on Weezer like quirkiness with a Phil Spector touch. Schwartzman’s wavering vocals fit well into each composition, like the Ben Kweller flavored “Wandering Around”. My favorite here is the McCartney meets Brian Wilson bedroom melody “Saint Jerome” that floats through your head like “A Day In The Life.” Even a simple melancholy pop cut like “Courtyard” becomes a timeless daydreaming ballad. This is great pop song craft here and, it has found a spot on my ipod rotation that I can’t bring myself to remove. The Bonus: for a limited time it’s only five bucks at Aimee Street.

My Space | Aimee St | Amazon

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