Category: Power Pop Review

The Bobbleheads and The Lost Boys

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The Bobbleheads “Make Yourself Happy”
After 2004’s excellent album, I haven’t heard from The San Francisco based trio called Bobbleheads till now. What a great come-out-of-nowhere power pop album. If you took the cheerful vocals of Steven Page (Barenaked Ladies) and married it to hard driving riffs of The Connection, it would sound a lot like “Prove Yourself,” a non-stop riff attack of Rickenbacker melody, and dense production. “Mean Girls” is just as good, and not a second of filler anywhere.

Highlights are numerous, although it is missing a quieter ballad to break things up. I dare you not to play air guitar to “Who’s Gonna Love You” or not sing along to “Turn The Radio On.” Fans of The Smithereens style of power pop will love this and I’m gonna shut up because you just need to hear it. It will stay locked into my daily playlist for a while and without a doubt, gets my nod to be considered for my top ten album list of 2014.

CD Baby | Amazon

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The Lost Boys “Answers on a Postcard” EP
Another “lost” band that passed me by until now is Southampton, England’s The Lost Boys. Last years EP Answers On A Postcard is the follow up to 2011′s debut Not Arf It’s…The Lost Boys. Lead by Daniel Ash (not the Bauhaus and Love And Rockets guy) its full of compelling melodies and polished production techniques.

Opening with the fast tempo of “I Fall For Everyone” it reminded me of Zumpano with its echoing surf guitar tones and cheery vocals. Another gem here is the “Moving Pictures” with its hook filled chorus, chock full of great key transitions. This style is a winning formula that’s repeated on “From Love To Hate,” and it connects each melodic clip in a way that recalls XTC. The slow ballad “Broken Story” follows Daniel’s echoing lead over a methodical acoustic melody. Overall its a winner, and between the two EPs you have a band deserves to be heard. Highly Recommended.

Amazon

The Click Beatles and The Crush

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The Click Beatles “Wake Up To Music”
The multi-talented Dan Pavelich is both a cartoonist and a musician. His first solo LP on Vandalay Music implies that this is another Fab Faux styled album, but no — its only has one Beatles tribute song. A labor of love for the past few years, it bares the stylistic fingerprints of Dan’s mentors: Jamie Hoover (The Spongetones) and Jeff Murphy (The Shoes).

“Shut The TV Down” is a great mantra for the couch potato in your life, and the rock energy on “Tell Me How You Feel” flows really well, both have an ’80s new wave-ish sound. The jangle melodies are turned up a notch for “Bubblegum,” and my favorite tune is the sweet “Try Girl,” with its hand claps and minor chords. Dan gets a bit darker on “Ever Since The World Began” and the horn-fueled “I Never Said Goodbye” was co-penned by Lisa Mychols.  A pretty cool release sure to please power pop fans everywhere.

CD Baby | Jam Recordings

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The Crush “Future Blimps” EP
Loved the debut EP and this new EP continues the fun. “Never Gonna Stop” is a catchy as hell riff with lead singer Kira Wilson sounding a bit like Debbie Harry.  The dual tracking harmonies add more dimension to “Around, ” and the garage styled opening on “Better and Better” and “It’s Love” recall The Clash and Paul Collins in spots. This is no-frills rock and roll, done just right and at $3 on Bandcamp it’s a sweet bargain. Enjoy!

Bandcamp

Freebie Friday: The Persian Leaps, El Silver Cabs and Crossing Guards

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With summer finally here we have a full slate of music ready to be reviewed for next week, but this Friday I’ve got some nice freebies for you:

The Persian Leaps is a band from Saint Paul, Minnesota. Its a bit of melodic noise pop on its new EP Praise Elephants. Notable here is the power pop single “Silent Treatment” full of fuzzy guitar riffs and solid harmonies. “Exponentially Devoted” is another good song with a layer of jangle above the dense fuzz pop.  The band plays short, catchy songs coated along the same lines as Guided By Voices, Teenage Fanclub and My Bloody Valentine.
Bandcamp or pay the band proper at Amazon or CD Baby

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New York band El Silver Cabs have a snappy new single with “Oh No” that reminds me a little of those ’90s-era DIY rockers (like The Idle Wilds). This is a typical unsigned band toiling away, their older EPs go all the way back to 2012. But you can definitely hear a progression of improvement on the new EP Bish Bosh. Another notable tune is the fast paced “Red Wine & Ritalin.”
Another freebie from Bandcamp

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Okay this isn’t a freebie, but its a “lost” album that I’ve come across. The Crossing Guards are a Minnesota band that had this album, out in 2009. And its biggest influences are The Posies, Guided By Voices and The Replacements. GBV fans will go bonkers for the heavy rhythm guitar on “Smoke and Mirrors.” Lead singer/guitarist Martin Devaney and bassist Sean Hoffman go all out here and it deserves to be heard. Don’t miss standouts “Pretty Little Problem” and “Untouchable.” Overall a solidly recommended LP.
Bandcamp | Amazon | CD Baby

Edward Rogers and The Roaring Juniors

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Edward Rogers “Kaye”
English-born, New York-bred Edward Rogers new album “Kaye” was inspired by the music of Kevin Ayers(The Soft Machine) and some of his musical influences. Rogers is helped along by other veteran musicians like Don Piper, Dennis Diken, and Gary Olsen, which makes it easy to enjoy this labor of love.

Rogers approach vocally on the opener “My Street” is a sullen blues riff similar to Mark Knopfler, but the tone changes on the Ayers penned gem “After The Show” with its punchy melody and catchy riffs. “Street Fashion” is another great track with its textured beat and “What Happened to the News Today” is a Dylanesque potential hit with its 12-string Rickenbacker melody. The mood gets more somber and wistful toward the albums end, but Rogers skill as a songwriter is formidable. A must for fans of both Rogers and Ayers.

Amazon

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The Roaring Juniors “Separation Anxiety”
Although they’re unsigned, This Michigan band starts off with the strong power pop of “Remember Love” and the garage styled “Love, Love Love.” The mid tempo “Riverside Shuffle” is another good diversion.

They take a harder turn on the instrumental “Watch Cap Blues,” so Led Zeppelin fans will pay attention. Blues-rock classic “Tobacco Road” is handled in a fuzzy way, but soon enough we’re back to the fast beats of “Waiting On Me.” Taking influences from early R&B British bands like The Creation – the Roaring Juniors are a force to be recognized. Give this fun album a try for only $5 – it’s worth it.

Bandcamp only

The Dowling Poole and The Both

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The Dowling Poole “Bleak Strategies”
We told you about the duo of Willie Dowling and Jon Poole teaming up for the debut of the Dowling Poole. Honestly the track record of albums from PledgeMusic or Kickstarter has been spotty at best, and I’ve been burned a few times by artists promising the best thing ever, only to get “something else.” Thankfully Dowling Poole happily exceeds expectations here. The pastoral shimmering opening “The Sun Is Mine” could’ve fallen off XTC’s Skylarking – it’s that good.

Next the rhythmic “Kiss On The Ocean” is a quintessential English-styled love song, part Maddness and part Martin Newell with a sing along chorus supported by “ooh la la” vocal backdrop. “Hey Stranger” is a little darker but no less compelling and it wanders into Klaatu-land with an amazing harpsichord and trumpet ending. Nearly every track is a polished gem and even the mellow “Paper, Scissors, Stone” is has a delightful jazzy pastiche that echoes Colin Moulding. The rich instrumentation and details invites many repeat listens, especially on the albums second half where it morphs into progressive rock with multiple melody lines, a perfect example being the psychedelic “Getting A License.” The finale “Clean” is slow building juggernaut along the lines of “Hey Jude.” This is an essential “do-not-miss” album, that makes my top ten list for 2014. I’m sure it’ll move to major distribution soon, but get it at PledgeMusic now.

PledgeMusic

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The Both “The Both”
Like the musical equivalent of a Reese’s Peanut Butter Cup, Aimee Mann and Ted Leo join forces to create The Both. It’s fairly rare for indie power pop auteurs to get mainstream attention (Reviewed in Spin, Rolling Stone and Pitchfork), but I’ll take it. Both artists leave their comfort zone a slightly and form an effective collaboration. Leo’s punk tendencies and Mann’s introspective melancholy are relatively restrained here, and that’s a good thing. It allows the duo to come up with some excellent songs “Milwaukee” being the highlight. Leo’s guitar is reminiscent of Thin Lizzy and Mann’s catchy chorus makes for good listening. This energy is missing from other songs like “The Gambler” and “No Sir” where the melody merely plods along.

Some nice touches are on the fuzz-bass led “Volunteers of America” with the comfortable harmonies of the duo and solid guitar riffs. In fact this is best vocals I’ve heard from Leo in a while. Both artists get to express ideas, Mann’s sparse “Hummingbird” and Leo’s guitar heavy “The Prisoner” both make personal statements. The Thin Lizzy cover of “Honesty Is No Excuse” is another highlight, along with the Beatlesque piano melody of “The Inevitable Shove” about “…blaming the ones you love.” A solid release that should please fans of both artists.

Amazon