Jay Gonzalez and Donny Brown

Ben Wilkins

Jay Gonzalez “The Bitter Suite” EP

Drive-By Truckers multi-instrumentalist Jay Gonzalez gives us a follow up to his Mess of Happiness with a five “song cycle” EP. It starts with the hum of a theremin and launches into the bright “Light Side of the Leaves,” one of the better tunes here with its 70’s rock tone and its glossy chorus. You’ll hear influences from Bread, Todd Rundgren and even Supertramp.

Each song dovetails into the next so seamlessly, its often hard to distinguish them, but “Almond Eyes” offers up a playful ballad that is an easy favorite, and the closer “Shanarock Lane” is a solid narrative gem with nice closing harmonies that fade back into that theremin. Unfortunately some of the other songs feel a bit threadbare, but it’s still an enjoyable highly recommended EP.
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Donny Brown

Donny Brown “Hess Street” EP

Former drummer of The Verve Pipe delivers a fantastic EP that touches on the full variety of his melodic talents. Donny’s influences are closer to Brian Wilson, Paul McCartney and he reminds me of Glen Philips (Toad The Wet Sprocket) in spots.

“Lucky Number” starts out slow and pans out to a rich harmonius chorus. The “Driving Song” is a pleasant easy going highway drive. But the best songs are the magical “Bitter Rival,” like a lost Andrew Gold classic, and “The Night I Fell For You,” one of the most romantic melodies I’ve ever heard. “Call Me” is a faux 1920’s bit of flapper pop that ends things on a light jazzy note. This one sneaks up on you and is one of the best EPs I’ve heard this year.
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Sam Vicari “Giving Up”

The Power Chords

Sam Vicari “Giving Up”

Its good to hear Sam Vicari again, as he’s clearly at the top of his game. Opening with simple fuzz guitar and harmonies on “Little Stones” it’s a Green Day-ish prelude to the album, where he lets loose on the first big single here “All and Everyday,” a memorable melody that’s “tired of winter, get used to early summer.” And it would be a perfect tune to play loud in your convertible.

Each song crackles with energy, “Pacific Northwesterner” is another compelling melody with biting riffs similar to Matthew Sweet. “Loser Dream” goes on about the girl he loves (even though she’s asleep). The sparse instrumentation of “Just Enough” plays out long enough till the loud monster chorus kicks in and the dense “Still Not Sure” is a full of ringing guitars and a bouncy beat. No filler here and each song stands as proof of Vicari’s amazing talent. Highly recommended and added to my top ten nominations list this year!
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Spin City Records | Amazon

Sam Vicari – All and Everyday (Official Video) from Sam Vicari on Vimeo.

Nick Piunti “Beyond The Static”

Nick Piunti

At last years Power Popaholic Fest, Nick Piunti was promoting his debut “13 in my Head” and played alongside the brilliant Chris Richards & The Subtractions. He hinted to me then that a sophomore release was in the works, and I waited with anticipation. Nick has upped the ante with this release, as “Beyond The Static” delivers the goods. Nick also had the studio filled with notable musicians: Chris Richards, Andy Reed (Legal Matters), Donny Brown, and Ryan Allen.

The power chords of “It’s A Trap” ring out a cautionary tale about that little voice in your head trying to prevent disaster, “Just as soon as you’re certain, there’s a lie behind the curtain” he sings out. Vocally Nick still reminds me of Paul Westerberg, but now with a bit of Mike Viola. That dark mood sung with those catchy hooks is personified on “Heart Stops Beating.” And another signature gem “Time Machine” warns about hanging onto the past, “Been there done that too many times” he tells us.  “Six Bands” is a memorable melody about rejection in the music business where “just because, doesn’t mean you should.” Each track shines, without a hint of filler. And at the album’s end, the love song “Quicksand” is another great composition that just won’t leave your head. Easily makes my top ten list for 2015. Don’t miss this one!

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CD Baby | Amazon

Promise and The Bloodhounds

Promise

Promise “Promise” 2015 Remastered Edition

It’s rare that a lost power pop treasure like this gets dusted off and given an opportunity to shine. Promise was a little known band, originally issued in 1980 on the Boulder, Colorado, area band’s own Cumulus label, their eponymous debut is filled with melodic, beatific blasts of pure Beatlesque pop, replete with ringing, jangly guitars, and rollicking crunch. Co-led by singer-songwriter’s/guitarists Curt Mangan and Danny Mey—with bassist Randy Jones and drummer Gary York—the group was out of step with the new wave trends at the time, opting instead for a timeless rock sound.

Without a doubt Promise is a classic that deserves to be re-discovered. “Say Alright” is eerily like Badfinger with its boogie baseline and jangling rhythm. “Back in My Heart” has a great acoustic strum and Mangan sounds like Emmit Rhodes here. The vaguely Genesis-like prog ballad of “Guitar” is a sweet curve, and “Later On Tonight” brings more Badfinger comparisons. “Hands of Luck” is probably the catchiest single, with its thrilling chorus. The remaining tracks don’t reach these heights, but are consistently very good. The remastering is done from the original master tapes, and it sounds great. For the power pop fan this is manna from heaven.

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Got Kinda Lost Records

The Bloodhounds

The Bloodhounds “Let Loose”

A big thanks to Dave “The Boogieman” for turning me on to this classic retro band. Starting with “Indian Highway” its a mix of rockabilly, blues and catchy rhythm that sets the stage for this LP. Then the tempo speeds up on “Wild Little Rider” with its blues harmonica, you’ll hear a mix of Bob Dylan, The Rolling Stones and Bo Diddley all wrapped up in a neat package. Equally powerful is the echoing reverb on the bass guitar riff for “Saint Dee.”

Next the band gets inventive on “Dusty Bibles and Silver Spoons” with a simple lo-fi production, using kitchen pots and spoons as percussion instruments. They even use an old player piano for the dancehall ditty “Hey Lonnie,” but bar room R&B is what this band delivers more than anything else. I couldn’t find a really bad track, so if you want a little honky tonk mixed in your rock, this one is highly recommended.

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Yorktown Lads and Watts

Songs About Girls and Other Disasters

Yorktown Lads “Songs About Girls and Other Disasters”

The buzz for this release was so long in coming, that many added it to their 2014 best-of list. It started as a Kickstarter campaign, endorsed by author & drummer John Borack, it was quickly funded and finally released to the public this year.

Yorktown Lads are Huntington Beach Academy for the Performing Arts grads Cameron Lew, Addison Love, and their teacher Michael Simmons (SparkleJets*u.k.). They start off with a note perfect Beatles-Beach Boys hybrid “Something To Write About,” that will knock your socks off. The album doesn’t stay retro but it stays melodic; “Before You Leave” is a laid back Belle and Sebastian styled pop that sticks in your head nicely. “La La” is the textbook template of a great power pop song; an upbeat and catchy melody about giving up on love until you meet that perfect girl. This is one example amongst many. The styles vary from the sullen pep talk “Dear Ethan” to louder Cheap Trick riffs of “He Got It Down” and “Cool Shoes, Bro.”

While not everything here works (“Make Her Smile” is eerily like The Spin Doctors,) most of this album hits the mark and earns its 2015 “best of ” nomination. Don’t miss it!

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CD Baby | Amazon


Watts

Watts “Flash of White Light”

When we last heard Watts, it was an impressive collection Stones-y rockers similar to The Doughboys or The Satisfactors.  Glad to hear things haven’t changed much, its still straight-up rock n’ roll full of hot licks and high-powered riffs, with more of a modern nod to bands like Aerosmith and AC/DC. While the opening title track is traditional, “The Mess is The Makeup” has a heavier rock vibe. “Sidewinder” has a touch of Allman Brothers or Bob Segar in its DNA with some awesome guitar work here.

The tendency of heavy rock is to get ponderous, but Watts avoids this with catchy riffs like on “Wasted Angels” and also smartly trying different lead vocalists for many of the songs. Between John Blout, Dan Kopko, and drummer Johnny “Rock” Lynch you never fall into predictability. More highlights include “Better (For A Girl Like You)” and the very Guns ‘N Roses inspired “Flying Over With Bombs.” Check’em out now!

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