George Usher and Lions In The Street

powerpopaholic

George Usher “The End And The Beginning: 1990-2009”

Described by the Village Voice as “one of New York’s best pop craftsmen,” singer-songwriter George Usher has a long, storied history that is expertly curated in this multi-disc retrospective The End And The Beginning. While it doesn’t have everything, its pretty thorough collecting tracks from across Usher’s career. The set starts with the bands House of Usher (1990) and George Usher’s Lazy Gentlemen (1991) where he develops a solid rep doing jangle pop with a baroque style.

When we hit the single “Not The Tremblin’ Kind” from Miracle School (1997), its melodic magic with a strong Beatle vibe that we’re used to. Great songs like “Begging For Rain” and “Days Of Plenty” make you question why Mr. Usher wasn’t a bigger star, but his talent as a songwriter and performer is beyond question. The ballads become more prominent later on, like the pastoral “Love By Any Other Name.” Since much of his earlier work is out-of-print and in some cases hard to find, this collection is essential for power pop fans. Get it directly from George on his website.

George Usher Direct

Lions In The Street

Lions in The Street “The Years”

Playing tough, swaggering ’70s-styled rock & roll influenced by the Small Faces, Eagles and the Rolling Stones, Vancouver’s Lions in the Street are a band that persevered in spite of years of record company interference. The album “The Years” (named after the band’s original moniker) was held up in lawsuits. Recorded for TVT Records(Lil’ Jon, Pitbull) in New York City with Grammy-nominated producer Dave Cobb (Jamey Johnson, Jason Isbell), a legal dispute with the label put the band in debt and stalled any career progress.

Fortunately, this is now finally released and is a pleasant surprise that still holds up. The gentle harmonies and muscular guitars start on “Someday” are almost like a mix of Badfinger and The Faces. The soulful vocals of Chris Kinnon on “Still The Same” and “Carolina” compare well with Mick Jagger. The country harmonies on “Can You Hear The Sea” strongly contrast with the heavy rock riffs of “In Cold Blood” and “I Know You Wanna” is almost AC/DC-like. Strong songwriting and performances sustain all 11 tracks. A lost gem that’s finally uncovered and highly recommended.

Amazon


Check out this FREE bonus track from the album.

Ho Ho Holiday Singles: Seth Timbs, Steve Eggers, and Michael Carpenter

powerpopaholic

Each year a number of artists release Christmas singles. We already featured one set last week. I will continue to showcase new holiday tunes this week in between my final reviews for 2016. A best of the year list will ready shortly into the new year.

Seth Timbs enjoys a “Bellyful”

Steve Eggers (The Nines) has been so busy (and we love it) but still found time to drop off this Christmas song released on the Japanese label This Time Recordings.

One of my favorite artists down under, Michael Carpenter has just “One More Christmas” to sing about.

The Unswept and Real Numbers

powerpopaholic
The Unswept

The Unswept “Fake It” EP

Chicago band The Unswept’s latest EP starts with “Fake It,” sounding more like The Rutles, than the original fabs but you have to love the Merseybeat riff that opens this song up. “The Boy Who Wakes You Up”  is more a low key indie pop tune, and “She Just Knows it’s Over” has a distinct Yorkshire accent. ”SALLY” is like a Velvet Underground tune, sung at double tempo, and also quite enjoyable. These tunes have less polish and 60s influence than previous albums but the songs have charm, and they’ve included mono mixes as well.  Check it out.

Amazon


Real Numbers

Real Numbers “Wordless Wonder”

After several EPs Minneapolis, MN band Real Numbers brings its jangle pop and shimmering rhythm to its full length debut. They multi-tracked the guitars delivering a sound that’s like The La’s jamming with The Smiths. Both “Frank Infatuation” and the title track both involve heartache and awkward inner monologue.  “Only Two Can Play” and “Sisters Serving Tray” intermingles a bouncy tempo and the low-key vocal delivery. “New Boy” delivers a catchy fuzz-bassy rhythm and “This Happy Sadness” appeals to both your warm nostalgic side and your moody side.

Amazon

The Lemon Twigs and Joyce Manor

powerpopaholic
The Lemon Twigs

The Lemon Twigs “Do Hollywood”

While Ronnie D’Addario’s kids are teens, they picked up their dad’s best music instincts on the Lemon Twigs big label debut. “I Wanna Prove To You” is a retro doo-wop mid-tempo ballad thats twisted around a slick production style similar to 10cc. It takes a few listens to appreciate all the melodic goodies contained within, like the next track “Those Days is Comin’ Soon,” filled with a complex blending of styles. If anything, this allows The Lemon Twigs to stand out against a homogenous indie rock field.

The precious vocals on “Haroomata” and “Baby, Baby” recall Nilsson but don’t stay boxed in any conventional structure, with frantic synth pop la-las bursting out from the slow tempo. “These Words” could be a lost Todd Rundgren tune, full of studio craft and bursting with harmony. “How Lucky Am I” is the most like a conventional love song, but its the unexpected twists in these songs that makes this album special, “Hi + Lo” being a perfect example. Very hard to categorize (on purpose) but it also reminded me of Frank Zappa and The Mothers “We’re In It For The Money,” amongst other timeless pop gems. Highly Recommended.

Amazon

Joyce Manor

Joyce Manor “Cody”

Joyce Manor is speaking to generation of young males (much the way Weezer did 20 years ago) with 2 minute slices of emotional angst. Opening with “Fake I.D.” which describes the thrill of meeting that smoking hot but superficial girl who asks “what do you think about Kanye West?” All done with a swagger and fuzz, very much like Superdrag as “Eighteen” rocks out a catchy credo “Find something to do, then do it,” but then ending with “I feel so old today.”

An acoustic duet about addiction “Do You Really Want to Not Get Better?” between lead vocalist and guitarist Barry Johnson and Phoebe Bridges provide a good break from the earlier anthems. “Make Me Dumb” leads with a loud minor-key riff and melodic chorus similar to early Rooney. But “Over Before It Began” and “Stairs” are the heart of this album, the latter a mid-tempo ballad about young adulthood “Yeah, I’m 26 and I still live with my parents.” Each song has a good hook and the band solidly connects with its audience. Highly Recommended.

Amazon

ELP Christmas tribute

powerpopaholic

With the passing of Keith Emerson (71)  last March and Greg Lake (69) last week, it punctuates the end of legendary prog band Emerson Lake and Palmer. Emerson was one of the greatest keyboardists of his generation, and Carl Palmer wrote in a recent statement; “Greg’s soaring voice and skill as a musician will be remembered by all who knew his music and recordings he made with ELP and King Crimson. I have fond memories of those great years we had in the 1970s and many memorable shows we performed together. Having lost Keith this year as well has made this particularly hard for all of us. As Greg sang at the end of Pictures at an Exhibition, ‘death is life.’ His music can now live forever in the hearts of all who loved him.”

Below is the timeless holiday song “I Believe in Father Christmas” by Greg Lake
https://www.youtube.com/watch?v=Lqwqknq7nuI