EP Reviews: The Foreign Films, Family Values, Skai, and The Harmalators

Bill Majoros (aka The Foreign Films) continues his journey through his “Record Collector” project. Each “side” is released one at a time, like scenes from a film that will eventually tell the entire story. And its available as a “name-your-price” download. This is volume 4 of 6 and it explores songwriting shaped by the late 1970s and early ’80s. You’ll definitely hear a lot of Bowie influence on this one, check out “Falling Like A Star” and the glam-ballad “Time Disappears.”

Check it out here.

Family Values have been in the studio together with the Norwegian power pop legend Tomas Dahl (Caddy) and the result is the band’s second EP “Time Stands Still”, inspired by bands such as Teenage Fanclub, Go Betweens and Big Star. If you like summery jangle, this EP does the trick. They will be touring with The Posies in Oslo, Norway this April.

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Skai “Diskaises” – Born in New York and raised in the suburbs of New Jersey, SKai is a new pop talent that seems to do everything from alternative rock to dance pop, and everything in-between. SKai’s main influences are Chris Daughtry, Bruno Mars, Jason Mraz and Train. While I wasn’t thrilled with everything here, “Heart Attack” had a power pop like swagger and a catchy chorus. Check it out.

Itunes


The Harmalators “Greater Things” – From Santa Rosa, California the twin brothers Marlon Kay (bass guitar) and Norman Kay (lead guitar, keyboards) have returned with a new import EP from Japan. The title track is punctuated by a big beat and trumpets in the chorus. The band still has classic pop influences (Beach Boys, America) as “Today, Tomorrow and Yesterday” has a nice chord structure. Unfortunately the production and mixing sounds more like a live recording than a studio take, but still give it a listen.

Thistime Records

 

The Labradors and Wild Feathers

Brett Harris

Labradors “The Great Maybe”

Three-piece powerpop/rock band from Milano, Italy have their second full length album out and it’s an impressive production. The quiet acoustic guitar ballad “I Won’t Let Anyone Hurt You” is a gentle poem to a “delicate creature” with dramatic swelling strings. The title track then swirls with guitars and drums similar in feel to Sloan or Weezer with harmonies in the chorus. “Jasmine” is even a touch harder, with lead Fabrizio Fusi sounding like Evan Dando here, and a nice bass guitar lead.

It quiets down considerably after this, but “Terrible Friend” is a heart-felt rocker about a mate who can’t get sober, and “All I Have Is My Heart” does the quiet verse-loud chorus thing quite nicely and both are winners.  The cat lovers theme “Paws” is another gem that will put a smile on your face for sure. Overall, the songs here are solid power pop and most of them are very good. Highly Recommended.

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The Wild Feathers

The Wild Feathers “The Wild Feathers”

Austin band The Wild Feathers is something both old and new. Ricky Young, Joel King, Taylor Burns, Preston Wimberly, and Ben Dumas grew up steeped in music – playing solo gigs, touring with local bands and working at venues. The guys came together in Austin in 2010 through coincidence, mutual friends, and a shared love of classic alt-country and southern rock. The young band spent the following year writing and reshaping their sound before heading into the studio to record with producer Jay Joyce (Cage the Elephant, Emmylou Harris).Their debut has a great mix of power pop and modern country music in parts with its dense, layered production.

To read more – check out the full review on BlogCritics.org

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Butch Young and Le Super Homard

Brett Harris

Butch Young “Mercury Man”

Singer-songwriter Butch Young’s (self-released, home-recorded) album is an admirable DIY effort that is sure to warm the hearts of power pop lovers everywhere. With his collaborator Matt Lee on guitar and bass, Young is similar in spirit to early Paul Steel by crafting layered space mini-symphonies that are part baroque, bubblegum and bittersweet.

Opening with the title track, its a slow relaxing opener with Lee’s blistering solo and then “Persephone” with its yearning slide guitar is very much influenced by Jeff Lynne. Young’s vocals are a little nasal, but once you are accustomed to it “One Foot In” showcases some great multi-tracked harmonies a la Beach Boys. The charm and musicianship will easily win you over as “Dime Store Jesus” and “Child of Nature” does a soft shuffle with its light pop melodies. No real filler here, but the album’s tempo rarely varies, and the only guitar solos appear on the first and last tracks of the album. Still its a wonderful debut and is highly recommended.

Amazon | Kool Kat Musik

Le Super Homard

Le Super Homard “Maple Key” EP/Vinyl

The Mega Dodo label is one of the leading progressive neo-psychedelic labels out there and this new release is worth seeking out. Le SuperHomard is Christophe Vaillant (guitars and keyboard), Pandora Burgess (vocals) and Olivier Vaillant (drums and bass). The rich textured instrumental intro gives way to dreamscape which is influenced by Air and Fugu1.

The light dreamy late ’60s mood permeates the album and the electronic rhythms are subtle till the finale “From My Window.” “On A Sofa” floats along, “Bituminized” is a simple melody much like The High Llamas recent work, and when Burgess vocals are added it takes “Dry Salt In Our Hair” to a more danceable place. Fans of space lounge music will find much to love here.

Amazon (import vinyl) | MegaDodo

They Might Be Giants “Phone Power”

B-Leaguers

Brooklyn’s kings of quirky pop They Might Be Giants have done it all, and now they’re offering you brand new album Phone Power. It another collection of Dial-A-Song quirky tunes and fans will appreciate the new collection. The album features “I Love You for Psychological Reasons” which is the standard catchy TMBG single. Plus you’ve got a pile of 17 more songs, some of my faves here are “ECNALUBMA,” “It Said Something” as well as a live cover of Destiny’s Child’s “Bills, Bills, Bills.” Like most of TMBG, there is a certain ratio of pop experimental songs to ear worms to be expected. Even “I Wasn’t Listening” is a funny self-reference to the whole Dial-A-Song concept.

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B-Leaguers and The Miamis

B-Leaguers

B-Leaguers “Death of A Western Heart”

James Styring (The Popdogs) forms a new band with a harder edge and a thicker guitar sound. The title track refers to the loss of the past, and James slowly builds the song from a simple bass line to a riff driven rock anthem where eventually “you come back to where you start.”

“Amnesia” has a punk energy that keeps the song afloat and  “Numbers” has a neo-metal riff alongside its chiming guitar rhythm section. It keeps to the standard pop-punk rock until we get to the excellent “Lemonade” with its frantic harmonies and faster tempo. Definitely worth checking out.

Kool Kat Musik

Scott Warren

The Miamis “We Deliver”

It’s hard to believe, but there are still “lost” bands out there that never made it to the limelight in the classic rock era.The Miamis were an active part of the ‘70s New York club scene, playing at CBGB, Max’s Kansas City and the Mudd Club. They headlined shows alongside Blondie, the Ramones and New York Dolls, but the lack of a recording contract kept the Miamis forever in obscurity. They did record a self-released album, but the industry execs at the time dubbed them “too punk for pop, too pop for punk.” I don’t hear any punk, but the energy and melodies clearly belong to power pop, so fans of The Knack, The Raspberries and Rubinoos will really enjoy this.

The infectious melody on “We Deliver” is unmistakable, and could easily be mistaken for a Rubinoos single. “Cry Baby” is like early Ramones with horns, and “Dancin’ Together” is like T-Rex playing an NRBQ hit. You can hear some Todd Rundgren influence in “I Want A Girlfriend” and  “Just Too Many People In The World.” You then realize that the Miamis were not so easy to categorize. The live songs are also where this band really shines, with a bluesy “That’s Life” capping 23 total tracks. Don’t miss this slice of lost power pop history. Highly Recommended.

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