Kyle Vincent “Detour”

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Kyle Vincent

Kyle Vincent is labeled as the “crown prince of soft pop,” by Goldmine Magazine for a good reason. He is probably one of the best pop vocalist singing today, and after his kid’s imitation Ed Sullivan intro he breaks into song on “Happy Me.” Kyle’s vocals sparkle along the chorus, with its multi-track backing and catchy verse making it one of the highlights. “Too Much Time In My Head” is a little quieter, introspective pop along a jangling guitar accompaniment, about “not wasting another day.” What stands out here is the way a soft pop ballad is perfected through Vincent’s mastery of lyric and vocal range. “Sometimes I Don’t Miss You” is another epic that stands alongside Eric Carmen with its depth and emotion.

The tempo and sanguine tone remain the same for much of the album, as Kyle croons out each sad expression and longing sigh. Exceptional examples are sparse “This Bed” and the title track. While some may find the themes a bit melodramatic, only someone like Kyle can pull this off correctly. Occasionally we get the bouncing catchy pop of “Forget You Girl” or the layered sophistication of “A Rock In My Shoe” and “San Francisco.” You’ll hear influences from Burt Bacharach, Barry Manilow, and Elton John. As far as adult contemporary pop goes, this is the LP to get and savor.
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Amazon

Gavin Mee and Sonny and The Sunsets

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Gavin Mee “Meemantras”

Irish native Gavin Mee is a veteran songwriter-troubadour who put together this brilliant album with fellow songwriter/producer Duncan Maitland (Pugwash). Fans of Pugwash, XTC and all you Anglophiles should line up to get this one. The magical “Push The Boy” is a combo of dance hall piano and acoustic riffs that will win you over with its sweet “ooh-na-na” backing harmonies. Another gem is the very ELO meets Kinks “First Place” with its horn, piano and guitar flourishes.

There are so many musical touchpoints, you get can dizzy with it. The spacey melodic pop of “Mosquito Chick” has a variety of instruments, and tempos. Gavin’s vocal has a slight rasp, like Mark Oliver Everett (Eels) wandering through Pepperland on “Penny Farthing” and “Peace Maze.” Eventually it all makes its way back to these child-like folk melodies, without a wasted note. Like the musical equivalent of sweet buttery toast, you’ll want to revisit these songs daily. Highly Recommended.

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CD Baby | Amazon

The Statuettes

Sonny and The Sunsets “Talent Night at the Ashram”

Sonny narrates these character studies on a vintage trip for fans of psyche-based indie pop. On “The Application,” the surreal LSD like echoing vocals are accompanied by solid bass lines and smooth Beach Boys styled harmonies. “Cheap Extensions” is both compelling and disorienting with its stream-of-conscious lyrics and new wave guitar riffs.

Originally planned as a movie, it turned into an album that resembles The Beta Band doing “Revolution #9.” The albums core is a 7 minute opus called “Happy Carrot Health Food Store” which takes off into Zappa-land midway through. It’s weirdness that secretly has catchy pop music hidden underneath, and that’s fine with me. You’ll still want to listen to this with headphones in a darkened room.

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Bandcamp | Amazon

Promise and The Bloodhounds

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Promise

Promise “Promise” 2015 Remastered Edition

It’s rare that a lost power pop treasure like this gets dusted off and given an opportunity to shine. Promise was a little known band, originally issued in 1980 on the Boulder, Colorado, area band’s own Cumulus label, their eponymous debut is filled with melodic, beatific blasts of pure Beatlesque pop, replete with ringing, jangly guitars, and rollicking crunch. Co-led by singer-songwriter’s/guitarists Curt Mangan and Danny Mey—with bassist Randy Jones and drummer Gary York—the group was out of step with the new wave trends at the time, opting instead for a timeless rock sound.

Without a doubt Promise is a classic that deserves to be re-discovered. “Say Alright” is eerily like Badfinger with its boogie baseline and jangling rhythm. “Back in My Heart” has a great acoustic strum and Mangan sounds like Emmit Rhodes here. The vaguely Genesis-like prog ballad of “Guitar” is a sweet curve, and “Later On Tonight” brings more Badfinger comparisons. “Hands of Luck” is probably the catchiest single, with its thrilling chorus. The remaining tracks don’t reach these heights, but are consistently very good. The remastering is done from the original master tapes, and it sounds great. For the power pop fan this is manna from heaven.

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Got Kinda Lost Records

The Bloodhounds

The Bloodhounds “Let Loose”

A big thanks to Dave “The Boogieman” for turning me on to this classic retro band. Starting with “Indian Highway” its a mix of rockabilly, blues and catchy rhythm that sets the stage for this LP. Then the tempo speeds up on “Wild Little Rider” with its blues harmonica, you’ll hear a mix of Bob Dylan, The Rolling Stones and Bo Diddley all wrapped up in a neat package. Equally powerful is the echoing reverb on the bass guitar riff for “Saint Dee.”

Next the band gets inventive on “Dusty Bibles and Silver Spoons” with a simple lo-fi production, using kitchen pots and spoons as percussion instruments. They even use an old player piano for the dancehall ditty “Hey Lonnie,” but bar room R&B is what this band delivers more than anything else. I couldn’t find a really bad track, so if you want a little honky tonk mixed in your rock, this one is highly recommended.

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Amazon

The Solicitors “(You Should See) The Look On Your Face”

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We reviewed the Solicitors Blank Check last year, a very strong power pop album. Here is the latest video that is both funny and creepy at the same time! The new single “(You Should See) The Look On Your Face” is a slight departure from the bands raucous signature sound; dropping a few beats per minute from their previous offerings but keeping the spiky guitars and dry wit that has become synonymous with the group.