Tommy Lorente and The Y Axes

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Tommy Lorente “Un cruel manque de tendresse”
It’s rare I hear a power pop musician from France, but Tommy Lorente is a genuine talent. Coming across like a French version of Kurt Baker, the album title translates to “A severe lack of tenderness,” and it bursts forth with a great opener “Ma Dose de Toi.” A little bit of Elvis Costello and Rockpile go a long way to making this a fun listen.

The caveat is that the entire album is sung in French, but even if you don’t comprendre les mots you’ll enjoy the hand clapping, toe tapping “Mirabelle” and sweet strums of “Quelque Part.”  Another highlight is “Katerine,” with its catchy main guitar riff and cowbell beat. No duds here and the production is clean with heavy percussion and horns underneath those riffs. Highly Recommended.

Amazon | Itunes

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The Y Axes “Sunglasses and Solar Flairs”
San Francisco Y Axes fall along the lines of ’90s indie pop, so fans of The Primitives or The Sugarcubes will enjoy the bright vocals of lead singer Alexi Belchere on the opening track “Sunglasses.” The lush synth textures mixed with sharp rhythm guitar on “Nothing With You” make this a highlight. But my favorite track here is “Green To Gold” with its textured dance beats and layered chorus.

A little of the Y Axes goes a long way, so more generic tracks like “Loop Machine” and “Rivers” don’t stick despite the slick production work. “Chemicals” is an almost-hit, with its anthem-like chorus that rescues the song. “Artax” is another notable guitar/synth combo with Alexi’s chirping vocal. Give it a try for only $5 on Bandcamp.

Bandcamp

Palmyra Delran and Jimmy Jax Pinchak Band

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Palmyra Delran “You Are What You Absorb”
I was introduced to Palmyra during The Cavestomp Festival last month, and was really impressed, so I picked up her CD. Palmyra takes some elements of garage, power pop to deliver perfect party rock. Her sound is part Debbie Harry with a psychedelic spin, she’s been a member of The Friggs and Pink Slip Daddy – and she’s caught the attention of Little Steven Van Zandt.

“You’re My Brian Jones” was a No. 1 song for Underground Garage’s 2012 list, and it certainly is a catchy gem. But there is so much more here, “Shy Boy” has that great bass reverb and multi-tracked chorus and the high energy on “Lies For You” make it a signature power pop tune. There is enough echoes of the past here, recalling The Animals and The Shangri-Las on “Never To Be Back Again” and “Someday Soon.” Delran keeps things fresh on each song here, using pig latin and bongos on “Sunny Day” and the mid-tempo charmer “Back To You” has some nice string accents. Highly Reccomended!

CD Baby | Amazon

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Jimmy Jax Pinchak Band “Make It Better”
Lots of actors try expanding their resume by becoming musician. Unless you have a Disney pedigree, the road is uphill and very steep. Jimmy Jax Pinchak (recently seen as Peter Wiggin from Ender’s Game) is one of those rare actors who actually have solid musical skills to go with the good looks. His new album “Make It Better.” was mastered by Grammy award winner Erick Labson and contains great influences (The Beatles, Cream, The Blues Breakers).

The opening track “There is More” is a muscular rock track with a sweet guitar hook. Pinchak’s deep vocal reminded me a little of his main inspiration, Johnny Lang with “On The Run” and the guitar stylings on most of the album are straight forward blues-rock. Standouts include covers of Tommy James “Draggin’ The Line” and Santana’s “Soul Sacrifice.”

Amazon

Verskotzi and John Dunbar

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Verskotzi “Lemon Heart”
This came out under my radar last year, but I’m glad I found Joey Verskotzi’s debut now. A young singer-songwriter with terrific vocals and an aggressive power pop sound. “Luck” is solid evidence that he’s got potential with a great guitar hook in the chorus, and the echoing guitar strums of “Brain Rack” is another gem about obsession. “Heartless Songs” is pretty good analysis of the state of soulless corporate rock, as he sings”Doin’ it wrong. Slavin’ away to heartless songs.”  “8th Street Train” is another excellent rocker with a infectious beat and “Honey” is jangle-lead pop single that’s gotten some airplay.

Occasionally we get examples of Joey’s vocal range on the folky “Burnt Yuppies” and crooning “Blue,” both demonstrate his vocal skills and smoldering sex appeal. Holly Hansen of Zoo Animal lends her vocal support on the track “Abandoned Love” and although it loses a little steam at the end, there is more than enough here to have me highly recommend this album.

Amazon


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John Dunbar “Third Guessing”
New York musician John Dunbar was the man behind the Rutles-esque tribute to The Kinks called The Kunks, and this is his third solo LP. Dunbar has immersed himself into 60’s era singer-songwriter folk rock with some nice Byrdsian guitar flourishes on “Putting An End To What Hasn’t Yet Begun.” The lyrics address doubts and self examinations on “Strangers Will Tell You The Truth.” The Turtles-like “Consider It Considered” is another standout — it sounds both apprehensive and compelling.

The sparse instrumentation occasionally works against the songs for example “Sullenly” takes its time taking about depression and regret, but doesn’t build any atmosphere with its light guitar strums and “Reagan/Fagen” is an annoying couplet that sounds really forced. What stood out for me is the psychedelic “Longing For What Never Was” with a message to you aging hippies out there “Watch out for what nostalgia does… You’re longing for what never was.” While some tracks just don’t have the compelling hooks, this does provide some interesting therapy for fans of P.F. Sloan. Give it a try on Bandcamp.

Amazon

Concert Review: The Bell House Power Pop Festival

Barry Dreyfus
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One didn’t need Mr. Peabody’s Wayback Machine this past weekend if one yearned to return to the heyday of 70’s power pop. One merely had to purchase a weekend pass to The Bell House’s 1st Power Pop Festival (May 9 & 10). For one glorious weekend, we all were transported back to 1978 watching legendary 70’s power pop stars Dwight Twilley, Shoes, Pezband and Paul Collins. The iconic music mag Trouser Press promoted the shows and brought back to NYC these legendary bands, 3 of which haven’t played in the city for decades.

Friday night opened with the Pezband’s original lineup (Mimi Betinis, Mick Rain & John Pazdan). They mixed classic Pezband (“Stop! Wait A Minute”, ” Baby, It’s Cold Outside”, “Please Be Somewhere Tonight”) with well-chosen covers (“Not Fade Away” and “Hippy Hippy Shake”) all with meaty hooks and well-crafted, punchy songs they proved to be a truly potent musical force still.  Dwight Twilley was next and he still has one of the most recognizable voices of all the 70’s power poppers and aided by 20/20 mainstay Ron Flynt on bass (and harmonies), Twilley had the sell-out crowd galvanized from the start. Pulling tracks primarily off his first 5 albums, Dwight’s set displayed the full range of his influences, melding rockabilly, British harmonies and basic ol’ rock n’ roll.

On Saturday it was time for Paul Collins to haul out a treasure trove of iconic songs from his vast catalog. He played earlier chestnuts like “Rock and Roll Girl,”as well as later gems like “Ribbon Of Gold”. And to cap off an already stunning weekend were power pop pioneers Shoes. From the first notes of opener “Head Vs. Heart” you could hear the excitement and joy from the crowd  soaking it all in like a sponge. After the show the throng staggered out into the rain of a late Saturday night feeling nothing but elation; protected by nothing more than the lingering melodies and memories of a weekend in Brooklyn in May of 2014.

Concert Review by Barry Dreyfus | Photos by Joanna Ente

The Power Popaholic Interview: Terry Adams of NRBQ

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Over the course of four decades, NRBQ (short for the New Rhythm and Blues Quartet) has done musical genres from power pop to barrel-house blues to free jazz. Terry Adams has been the constant, playing with a rotating set of musicians for decades. Even a bout of throat cancer in 2004 couldn’t slow him down, and after a short break he recovered and reformed the band in 2007. I was privileged to talk with Terry about the new NRBQ album “Brass Tacks” which is due for distribution on June 17. But you can get an advance copy here.