Tsar and The JAC

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Tsar “The Dark Stuff” EP
Without a doubt, 2012 is the year of the power pop re-union. The L.A. rock band Tsar formed in 1998 and soon won favorable reviews for their energetic gigs and anthemic songwriting, but vanished after 2005. The band now has re-formed, lead by Jeff Whalen (lead vocals/guitar,) with Daniel Kern (vocals/ guitar,) Jeff Soloman (bass) and Steve Coulter (drums).

They haven’t lost the knack for catchy tunes, as the opener “Punctual Alcoholic” has a neat bass rhythm and sharp guitar solo. The high gloss rock of “Police Station” is similar to early Tsar hits, and the brooding “Little Women” is like The Dandy Warhols meeting Weezer in a smokey room. “Something Bad Happened To Me” is little lighter, where they explain “Rock and roll is good for the soul…” Overall, a this is a solid workmanlike effort, with enough to please fans old and new.

The JAC “Faux Pas”
Okay, you gotta love Joe Algeri (Brittanicas, Jack & The Beanstalks) letting loose his inner psyche to the fans with a “I Play All The Instruments.” It makes a pretty good case for solo musicians “stuck at home, with too much time on your hands.” Joe tells us “I Just Want to be Weird” and to prove it he does offbeat pop like “I’m A Glass Of Orange Juice.” Joe isn’t as obtuse as Robert Pollard, and his rants on “Persistent Man” and “I Refuse” have punk styled DIY charm.

Several songs have a 60’s-fueled psyche pop flavor, but with a modern cynicism reminding me of The Small Faces “Ogden’s Nut Gone Flake” or Ray Davies on “Romano The Dog.” It includes an additional disc of 10 covers, so you can’t say The JAC doesn’t deliver.

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Wildlife Control “Wildlife Control”

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Brothers Neil and Sumul Shah, who grew up making music in rural Pennsylvania are now based in Brooklyn and San Francisco promoting their debut album. A combination of dominant drum beats, guitar hooks and hummable melodies on the first few songs made me sit up and take notice. It’s an effective fusion of electronica and traditional rock –  “Brooklyn” is the complete package, with horns and echoing piano making it an effective theme as the chorus chimes “Everybody’s moving to Brooklyn”. “Darkness” is a bit more subdued, even slightly pretentious with a classic piano ending, but the single “Analog or Digital” is the bouncy showpiece that defines modern power pop at its hippest.

“Disguise” infuses a jazz rhythm with its night club piano riff and heavy beat. The albums second half is more experimental, with droning synths on “Oakland” and slow jam rhythms on “Lose.” These guys aren’t quite at the level of Fun, but they have enormous potential and talent. A band to watch for sure.

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Sunday Sun and Fernando Perdomo

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Sunday Sun “DAY” EP
The Amsterdam band Sunday Sun comes out with it’s second EP. “DAY” once again highlights those gorgeous harmonies on “Ordinary Love” and “Now Is Now.” The sweep of the compositions are grander than the first EP, for example “Summer Holiday” has a fast guitar rhythm with handclaps building layer upon layer of drums and vocals. The slow ballad “You” tones things down quite a bit, but the band roars back with “Take A Left,” a 70’s inspired funk-rock song. Fans of Sonic Executive Sessions and The Beach Boys need look no further, and combined the 2 eps make a top ten LP in my opinion. And a free one for the next 2 weeks! No excuses, just get it.

Free on Bandcamp for 2 weeks only!

Fernando Perdomo “Home Is Wherever You Are” EP
Mr. Perdomo ( Dreaming In Stereo ) is a strong singer/songwriter/producer and with a delicate piano and strum, Fernando brings us orchestral pop with sweeping strings on the opener “Home.” Its a nod to both Burt Bacharach and Nick Drake, expressing both beauty and sadness. The another great song “Smile” is a sweet affirmation similar in tone to the grandiose hit “We Are Young” by Fun. “Fill My Sky” is another winner and the love song “In A World Without You” is both moving and brief, with a catchy “do do do” coda. If you love chamber pop and a change of pace from guitar heavy rock, this will do the trick.

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Honeymoon Stallions and King Washington

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Honeymoon Stallions “Moonlighting”
Andy Goldberg (The Sun Kings, The Goldbergs) returns with a new band and a new album. The Honeymoon Stallions gallop out of the gate with the opener “If It Wasn’t For You,” a terrific melody with a layer of organ under the guitar riffs. “Radio Song” has a touch of Nick Lowe with its solid hooks. “Driftin'” is a slightly mellower Andy, similar to Jeff Larsons bluesy mid-tempo jangle pop. This newer texture continues on “By The Moon…” and the Beatles bounce with Harrison-styled slide guitar surfaces on “Every Now and Then.” Every song is strong here, and its on par with his previous albums. Overall, a welcome autumn present for lovers of great guitar pop.

 CD Baby | Amazon | Kool Kat Musik

King Washington “The Gears”
L.A. powerhouse vocalist Tyson Kelly has the best rock vocals since Ed Roland, and proves it with this superb debut. Joined by lead guitarist George Krikes, bassist Dylan Cronin and drummer Kyle Turek, The Gears is a triumph of sparkling musicianship and high gloss production. You’ll hear Badfinger-like harmonies and hooks aplenty on the title track, its just mesmerizing. And the Helter Skelter opening on “Fourth Of July” leads to snappy melody full of awesome harmonies and guitars. But despite the nods to rock gods of the past, the bands sound is totally unique. More potential “hits” are “Animal” and “Anybody Home” but it runs out of gas by the albums end. However you can’t deny the great tracks on the albums first half, so I’d highly recommend this one.

 Itunes | Amazon | Kool Kat Musik 

The Blood Rush Hour “Shrink”

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The Blood Rush Hour “Shrink”
Welsh combo lead by Robert DiStefano, The Blood Rush Hour  is a carefully crafted pop album that draws from 10cc, Jellyfish and Andrew Gold. But this band doesn’t just take influences, it twists them in knots. “The Way Back Home” is a smart opener with keys, horn accents and a little theatrical guitar solo. A great example of the shifts in tone is “Into The Fire.” It starts with a beatnik beat and sax, then shifts into a harmony filled chorus with a guitar heavy hook. My favorite “Came To Believe” is a gorgeous melody, that sounds a lot like Supertramp mixed with Roger Manning Jr.

Nothing here is predictable, and its simply hypnotic. “Delme” and the bright “Portrait of Jane” are reminiscent of Klaatu. The fact that you have two distinct vocalists here means, that you’re taken a back when Peter Tomlinson’s “The Nancy Song” and “Upon Losing A Kindred” prove to be a pleasant surprise. The jazzy swing undercurrent is throughout the album, with brass and brush drum and piano – it pops up occasionally. Another gem here is “The Tale of Lancelot” with its minor chord melody and it all comes together on the end track “Show Me Yourself” which ironically is the most power poppy song here. Definitely one of the most inventive albums this year. Fans of the mentioned influences, Martin Newell and Spygenius will love this. Highly recommended.

CD Baby | Amazon