Tag: Shoes

The Lemon Twigs and Gary Klebe

powerpopaholic
“The

The Lemon Twigs “Look For Your Mind!”

The Lemon Twigs (Brian and Michael D’Addario) have released their most self-assured record to date, a 14-song album that was recorded live in the studio with bassist Danny Ayala, drummer Reza Matin (Uni Boys), and Tchotchke’s Eva Chambers. While this cuts back on the studio wizardry of ‘A Dream Is All We Know,’ it still has all the emotional pull and strong songwriting the band is known for.

“Look For Your Mind” continues the classic pop influences with jangling Rickenbacker and lush harmonies, and even better is “2 or 3” a bouncy song about feeling insecure dating a more experienced, mature woman. The Byrds-Beatles dynamic is strong on “Nothin’ But You” and the ear worm “I Can’t Get Over Losing You.” The boys channel the Brian Wilson ballad perfectly on “Mean to Me,” and then go to town with the surf guitar single “Bring You Down.” And despite the obvious stylistic influences the D’Addario brothers have carved out a sound that belongs fully to them. Each song delivers, and even tunes that aren’t as immediate are worth multiple spins, like the haunting brilliance of “Your True Enemy.” Once again, they make my top ten list. Super Highly Recommended.

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“Gary

Gary Klebe “Out Loud”

Gary Klebe (Shoes) is power pop veteran finally coming out with his own solo album after over 40 years in the business (sound familiar, Cal?) And he proves that the Shoe doesn’t fall far from the (shoe) tree. If you loved The Shoes ‘Ignition,’ then you’ll enjoy this solo follow up on the band’s label, Black Vinyl Records. The songs are about the unexpected challenges of a new relationship, from an adult perspective.

The solid opener “Room To Breathe” has Gary’s multi-tracked vocal in the catchy chorus about the need to start fresh. “Not Tough Enough” is another great single, with solid hook that sticks in your head.  The sound and style is consistent throughout, with some nice guitar work on “Love Beyond” akin to Tom Petty. With some songs, you almost expect more. For example, “Bridges are Burned” opens with a terrific multi-layered intro, but the verse and chorus are pretty mundane by comparison. However, Gary is an excellent songwriter, and gems like “Eyes Open Wide” and “Invading My Space” are not to be missed. He gets a little heavier on “Shake Me,” and seemingly resigned on the loss of a girlfriend on “In A Heartbeat.” Overall a really good album with Gary’s DIY touch and no filler. I look forward to more Gary and Shoes. Highly Recommended.

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Concert Review: The Bell House Power Pop Festival

Barry Dreyfus

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One didn’t need Mr. Peabody’s Wayback Machine this past weekend if one yearned to return to the heyday of 70’s power pop. One merely had to purchase a weekend pass to The Bell House’s 1st Power Pop Festival (May 9 & 10). For one glorious weekend, we all were transported back to 1978 watching legendary 70’s power pop stars Dwight Twilley, Shoes, Pezband and Paul Collins. The iconic music mag Trouser Press promoted the shows and brought back to NYC these legendary bands, 3 of which haven’t played in the city for decades.

Friday night opened with the Pezband’s original lineup (Mimi Betinis, Mick Rain & John Pazdan). They mixed classic Pezband (“Stop! Wait A Minute”, ” Baby, It’s Cold Outside”, “Please Be Somewhere Tonight”) with well-chosen covers (“Not Fade Away” and “Hippy Hippy Shake”) all with meaty hooks and well-crafted, punchy songs they proved to be a truly potent musical force still.  Dwight Twilley was next and he still has one of the most recognizable voices of all the 70’s power poppers and aided by 20/20 mainstay Ron Flynt on bass (and harmonies), Twilley had the sell-out crowd galvanized from the start. Pulling tracks primarily off his first 5 albums, Dwight’s set displayed the full range of his influences, melding rockabilly, British harmonies and basic ol’ rock n’ roll.

On Saturday it was time for Paul Collins to haul out a treasure trove of iconic songs from his vast catalog. He played earlier chestnuts like “Rock and Roll Girl,”as well as later gems like “Ribbon Of Gold”. And to cap off an already stunning weekend were power pop pioneers Shoes. From the first notes of opener “Head Vs. Heart” you could hear the excitement and joy from the crowd  soaking it all in like a sponge. After the show the throng staggered out into the rain of a late Saturday night feeling nothing but elation; protected by nothing more than the lingering melodies and memories of a weekend in Brooklyn in May of 2014.

Concert Review by Barry Dreyfus | Photos by Joanna Ente

Shoes “Ignition”

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80’s Power Pop icons Shoes are back. The self-produced and released LP on the band’s own Black Vinyl Records, Ignition proves Shoes still embrace and fly the banner of melodic guitar-driven pop.

“Head Vs. Heart” starts us off  with the sweeping chords and harmonies — it’s pitch perfect Shoes power pop. The mid-tempo jangle comes next on “The Joke’s On You” with its clean layers of guitars in the verses up to the chorus. The Shoes sound is very distinctive and the musicianship here is perfection.

The band manages to scale back the synths and mix up the formula as “Heaven Help” talks about the stifling uncertainty of love and it’s chorus reminds me of the Travelling Wilburys. The band also has some fun with “Hot Mess,” imitating the Stones with strutting Keith Richards-styled rhythms. Jeff Murphy’s political views come forth in “Where Will It End”  and most impressive is the minor key masterpiece “Out of Round” written about a departed friend.  Each of the 15 tracks manage to fly by and encourage repeat listens. The final track “Only We Remain” is a bit dragged out, but states the band’s purpose succinctly “Do what we wanna do. Livin’ for today.” Like the cover implies, Ignition is sure to lift your spirits.