October EPs and Freebies: The Persian Leaps, The Bishop’s Daredevil Stunt Club, Rum Bar Records, Canadian Invasion, Friends of Cesar Romero, The Chords UK, Gavin Guss

New music that deserves to be heard. The Persian Leaps return with a fresh new EP, and they still impress with their solid songwriting on “Maybe Time Will Let Me Forget” and “Beautiful Inside.” It’s an early Halloween treat from The Bishop’s Daredevil Stunt Club on the Vanishing Point EP, with creepy synths on “Every Night I’m Dying” and heavy riffs on “Why You Ghosting Me Girl?” Both are recommended. Rum Bar Records’ newest sampler is another great FREEBIE, check out the strong female rockers Cindy Lawson and Abbie Barrett. Canadian Invasion is a bit more subtle in approach, check out the mid-tempo “Swim Club,” it’s one of the better singles this month. Friends of Cesar Romero adds some garage swagger and fuzz to their new EP. Each song rocks and it’s also a FREEBIE (no excuses)! The party continues with The Chords UK, check out the anthemic opener “All For Nothing At All” with its handclaps and high-energy riffs. Finally, a single cover from Gavin Guss, was initially done by The Police, but it sounds like a perfect Nick Lowe version.







Caper Clowns and The Persian Leaps

Caper Clowns

Caper Clowns “A Salty Taste To The Lake”

Caper Clowns are a band from Ferritslev, Denmark, and their sunny debut The Buca Bus came out in 2016. The band is Rick Kingo, Peter Højgaard, Christian Højgaard, Henrik Krogh and Søren Daugaard Jensen. Rick, Peter, and Henrik play multiple instruments, and the songwriting is spread out amongst everyone. The group doesn’t suffer from the sophomore slump and has been firing on all cylinders. In addition, the band has played at the IPO Festival in Liverpool at the Cavern Club these past 2 years.

The opener “The Way I Dream” is a wonderfully catchy composition, with its bouncy rhythm it sets the stage nicely. In contrast, “Lifeline” adds some darker guitar riffs but the chords change to sunshine by the end of the harmony-filled chorus. The Caper Clowns biggest strength is its diverse sound akin to The Wellingtons or Roger Joseph Manning Jr. The light acoustic guitar of “Kissing Daylight” is a winner, as well as the Squeeze-like magic of “Pretty & Underwear.” The album is both unpredictable and refreshing without a single filler track. Overall a great album that gets a top ten best nomination for 2018.

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The Persian Leaps

The Persian Leaps “Pop That Goes Crunch!”

The Persian Leaps from Saint Paul, Minnesota has released this massive 18-song anthology presenting their best work over the years, remastered and remixed. The songs are full of blistering riffs and jangle-pop harmonies, selected by lead vocalist Drew Forsberg and producer Neil Weir. If you are unfamiliar, it will totally appeal to fans of Guided by Voices, The Smiths and Teenage Fanclub.

My favorites here include the very GBV-styled “Fire Starter” and “Picture My Reaction.” The catchy fuzz-guitar dominates most songs, and at times the tracks seem to blend together – but there is enough distinction on several standouts like “About The Lions,” and “Truth=Consequences.” The brand-new track “Time Slips” is a nostalgic song that Forsberg wrote in memory of his grandparents. Overall an excellent compilation that is highly recommended.

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First In Space and The Persian Leaps

First In Space

First In Space “A Different Animal”

I’ve covered First In Space since their debut, and Youngstown, Ohio alums Johnny Stanec and Dolus McCormick are back in fine form here. The band’s sound is similar to The Goo Goo Dolls, or a lighter version of Foo Fighters with better vocal harmonies.

“Living In The Dark” builds with a steady growing guitar rhythm and anthemic chorus. Followed by “The Bitter End,” a nostalgic look back at an old relationship with a sing-along melody. It’s all great music on the album’s first half, but it tones down slightly with the percussive “There is No Way Out.” It gets back on track with the power riffs on “The Edge,” and although it doesn’t reach the album’s earlier high points, there are no clunkers here. The ending track “Enough” is a surprisingly compelling midtempo song with a nice finish. Definitely, this band deserves to be heard.

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The Persian Leaps

The Persian Leaps “Bicycle Face” EP

Saint Paul, Minnesota band The Persian Leaps 5th ep boasts not only the loud riffs, but a lot more hooks than their previous work. “Picture My Reaction” is a driving song that is on par with The Well Wishers or Trip Wire.

Another gem is the jangle fuzz chords on “Even Less” and “About The Lions,” with its catchy chorus where they sing “You never worry/About the lions.” The last track “Pushpins” is an interesting lyric, about someone pinned like an insect. Overall, Highly Recommended.

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EP reviews: The Persian Leaps, Goodman, Yes You Are

The Persian Leaps “High and Vibrate”

This Minnesota band brings us a wall of heavy fuzz guitar riffs on “The Infection” and the big standout here “Dottie. Queen of The West.” The tempo and approach remind me of Echo & The Bunnymen or The Smiths. A faster pace and steady beat on “Frozen” is another solid song with ringing guitar chords and harmonies thanks to Adam Brunner(bass guitar), Drew Fosberg (lead guitar) and Michael McCloskey (drums). “Anthem” keeps the pace and makes this a highly enjoyable EP – check it out!

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Goodman “Goodman”

These four tracks were originally cut from Michael Goodman’s upcoming release, not because of quality, mind you, but because a 16-song album seemed excessive. “Lessons Learned In Love” has a bedroom pop vaudevillian style, with a cool coda full of Beach Boys styled harmonies and old piano echo. “Telegram Girl” has a mod hook and its a real gem about breaking up, as he intones “Why should I waste my life on you?”  The shuffling beat of “Movies” is another fun song with hand-claps and echoing vocal brimming with cool confidence. I really look forward to the full length after hearing this!


Yes You Are

Ex-Tilly and the Wall lead singer Kianna Alarid is part of a new band that plays an intense pop style with sing along hooks in the chorus and snyth-covered rhythms. A bit too close to mainstream pop in “Echo,” but “World Without End” is a little Annie Lenox mixed with U2. Listen for free at http://weareyesyouare.com/sound/

Kurt Baker and The Persian Leaps

Kurt Baker

Kurt Baker “Brand New B-Sides”

When Kurt and Wyatt Funderburk worked on Brand New Beat three years ago, they still had plenty of gems leftover to make a follow-up. Much like Kurt’s debut the songs here have the same sound and catchy energy. “Quit Dancing With My Girl” is another perfect amalgam of Elvis Costello and Nick Lowe that speeds along its melody line. Each track bounces along, highlights are all over this release, examples being “Emma Stone” and “What’s That Got To Do With Rock N’ Roll,” riff anthem that channels the Glam era, originally done by The New York Dolls.

The LPs second half shows some different approaches, like the rare slow tempo “Since You’ve Been On My Mind” and “I’ve Tried Everything.” There is even a cover of Nick Lowe’s “So It Goes.” Overall this isn’t as cohesive as the debut, but a little Kurt goes a long way. And it still ends up on my playlist. Highly Recommended.

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The Cherry Drops

The Persian Leaps “Drive Drive Delay” EP

After The Persian Leaps last review and I was told the band had a new EP coming out shortly, and now its here. Continuing their GBV-inspired power pop with the pyromaniac anthem “Fire Starter” and then “Pretty Boy” has some Bob Mould like fuzz guitar with an inspired call and response chorus.

“(Goodbye To) South Carolina” has a little more jangle, but the wall of fuzz sound occasionally drowns out the melody. My favorite highlight is “Permission”  a bit more like a modern rocker where the lead guitar line shares equal time with the lead vocal. Between the 2 EPs you have a pretty good full length, so give it a spin on your playlist.


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