Category: Highly Recommended by Powerpopaholic

Scott Warren and Stay

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Scott Warren

Scott Warren “Good Love”

Scott Warren (Signal Hill Transmission) brought together the same cast as his 2012 effort Dyed In The Wool, but this time with a big studio sound complete with horns and string arrangements.  Starting with the solid “Good Love” it’s one of the best openers this year, with melodic muscle in the chorus. “Cold Feet” is worthy follow up, with a wicked guitar solo at the break about a hot-and-cold love affair.

“Idle Hands” recalls Matthew Sweet’s dense bed of drums and riffs, but then he slows down for “Why Won’t You Come Around?” before it builds up to a bluesy crecendo that knocks it out of the park. A few country styled songs are wedged in here, but don’t resonate as strongly as the rock. The ballad “Fall in Line” is a good palette cleanser for the Fleetwood Mac-ish “When I Get Away From You.” A slow tempo cover of Lindsey Buckingham’s “Trouble” closes things out. This is terrific album that deserves to be heard. Highly Reccomended!

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Stay

Stay “The Mean Solar Times”

Barcelona based Stay are a psych-rock collective that bears more than a passing resemblance to Oasis, as the new album The Mean Solar Times was produced by Owen Morris (The Verve, Oasis) and features a guest guitar slot for Andy Bell (Ride, Oasis, Beady Eye). There is a solid Britpop vibe mixed with some psychedelic rock and so fans of both genres will enjoy the interplay of synths, organ, harmonies and great lead guitar riffs perfectly executed on “Pinkman.”

Fans of The Byrds will dig “You Know It’s Alright” with its easy going chorus and jangling bed of guitar rhythm. And while “Dirty and Alone” and “Always Here” have that Manchester vibe similar to The Stone Roses, the sitar is thrown in to give it a retro gloss. No real duds and a highly recommended trip through your headphones.

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The Cherry Drops and Propeller

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Cherry Drops

The Cherry Drops “Life is A Bowl of Cherry Drops”

Is it possible to love the sixties sound too much? Nah. Vern Shank and his band the Cherry Drops have concocted an album that absorbs those retro influences like a sponge. Opening with a vocal Beach Boys prayer “Bliss,” it’s followed by the bubble gum gem “We’re So High” with its mellow psych-pop groove, reverbs and farisa organ. Then the band turns on a bit of the guitar muscle with the “Far Out,” and mentions almost every dance craze of the era. And its not just paying homage, as Steve Boone of The Lovin’ Spoonful is included on the sunny chorus of “Sweet Lovin.”

A few more guests include Mighty Manfred (Woggles) and Tony Valentino (The Standells.) There are a few covers (including a rare Badfinger tune), but its the originals that have plenty of hooks as “Light ‘Em Up” proves. Plus “It’s A Surfing’ Thing” is chock full of Dick Dale guitar licks. The danger here is a few songs can appear saccharine (“Everything’s Alright”) but most of the time The Cherry Drops deliver their pop with a sincerity that can’t be faked. Highly Recommended.

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Propeller

Propeller “Fall Off The World”

Propeller is back and with another quality power pop release. “Can You Here Us Now” is part Bryan Adams, part Bram Tchaikovsky with a great leading riff in the chorus. The bands compositions have gotten tighter as “Mismatched Shoes” and “Wish I Had A Picture” densely packs the harmonies on top of a bed of guitars. Lead singer Greg Randall’s vocal style reminds me of Nick Piunti too.

“She’s So Alive” is similar to Tom Petty with its jangling rhythm, and its one of my favorite songs here. The lyrics are mostly about the common teenage crush; “a girl with a beautiful name” is the source of inspiration for “It’s Kinda Why I Like You.” Not a single note of filler as the band goes through all ten high energy tracks. If you want to nitpick, the band doesn’t take its foot off the gas, and it would be nice to have a slower tempo break things up a little. Otherwise this is a real winner, and you can download these tracks on Bandcamp at a “name-your-price” or buy the traditional way. Highly Recommended and no excuses for letting this one pass you by.

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Trolley and The High Llamas

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Trolley

Trolley “Caught In The Darkness”

Milwaukee band Trolley continues it’s charge forward bringing 60’s inspired pop into the modern era.  This is the strongest effort to date, as the title track hits all the right notes, with solid support from organ and drums. A big highlight is “Thursday Girl,” with a combination of groovy retro synth and solid melody. Mod elements on “Crying All The Time” give way to a Byrdsian chorus that also meshes perfectly.

If it leans too hard on the retro conventions, it always seems to throw a curve in the melody or instrumentation like on “She Has It All.” But any shortcomings on some songs are overcome by the enthusiastic compositions, which never get predictable. Another gem “Losing That Madly In Love With Her Feeling” boast a good harmony in the chorus, and even goes a slightly punk on “The Kids All Sing.” Even the weird filler at the end of album is interesting.  I’m proud to list this as my first pick for the 2016 best-of  list.

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High Llamas

The High Llamas “Here Come The Rattling Trees”

Sean O’Hagan is back with another easy listening album, with all its wonderful subtleties and his influences are still mainly Brian Wilson, with a touch of Steely Dan. This narrative-driven project is broken up in several parts, with the main theme (title track) being lush and low key minimalist pop.

The vocals are in several songs, but most of this album is instrumental, with underscores all showing up first. “Brambles Black” is has a soothing bossa nova rhythm, with light synths and slow organ of “Mona’s Song” is another gem. Overall, this is what you’d expect from O’Hagan, his meticulous folk lounge music is meant to remain a sweet background soundtrack to your life.

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Eytan Mirsky and Field Music

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“Golden

Eytan Mirsky “Funny Money”

Eytan Mirky has long been a strong writer of pop songs that explore insecurity and hopeless love. Starting with “I’m Gonna Fight It” its got a bluesy hook that recalls a small scale Elvis Costello, Nick Lowe or Jonathan Richman about the everyman struggles with a “one true love.” The laid back pop smarts of “Somebody Played A Joke on Me” is almost like a Jimmy Buffet hit single, with a sweet guitar break by Jon Gordon. Its about small victories, as he tells a friend “You Got It Made” and recognizing the wrong girl in “I Saw Something In You.” Even tender ballads like “Watching Dawson’s Creek” are great, as it relates an old relationship to an old TV show. In a rare moment, “Good Hair Day” is an uncharacteristically happy and buoyant song that urges you to seize the day. These are all solid gems and most of these songs hit the mark. Super highly recommended.

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“Golden

Field Music “Commontime”

Field Music has never been a band that grabs your attention immediately, but the clinical musicianship mixed with nerd quirkiness shows occassional flashes of genius. The brothers David and Peter Brewis seem intent on experimenting here. The opener “The Noisy Days are Over” is a great microcosm of the band as a whole, with inventive percussive effects, a solid melody and a grand theme. You will hear influences from David Bowie, Todd Rundgren and the Talking Heads. “Disappointed” is a funky single that sounds like a lost 80’s classic, and the deliberate horn flourishes and piano melody on “But Not For You” bring to mind Steely Dan in its prime. “I’m Glad” has a warped time signature that few can make a single from. But its the meticulousness of their melodic structure that have won over a small cult of audiophiles. Some great examples include “They Want You To Remember” and “Indeed It Is.” The album could have used some editing, but overall its a rare treat. Highly Reccomended.

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Tribute To Sloan and Rude Awakening

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Dany Laj

Various Artists “If it Feels Go Do it: Tribute To Sloan”

The amazing thing about this tribute is that most of Sloan’s songs aren’t as well known or played out as other more popular artists (i.e. Beatles) and this frees the artist from adhering to a strict interpretation. Also Sloan has some gorgeous compositions that fit perfectly with these artists, and its sure to draw attention.

Stereo Tiger not only starts us off with “C’mon C’mon (We’re Gonna Get It Started),” the band is also offering up a quick EP of added covers FREE here. Andy Reed crushes “I Love A Long Goodbye” and The Dead Girls delivers a solid take on “Friendship.” Lots of today’s best artists contribute: Fireking, Chris Richards, Nick Piunti, Pop4, etc. I could continue to list favorites, but with 31 tracks this post would go on too long. Simply stated this is the best tribute album of 2016 so far! So get it from our friends at Futureman Records!

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Rude Awakening “Rude Awakening”

Rude Awakening was formed in Winnsboro, TX in 1985 and disbanded in 1989. They were never signed to a record label, thus never released an official CD, but the band members (Jim Richey, Jeff Hamm, Kenny Swann and Jeffrey Galloway) continued to play together eventually becoming The Pozers. The band specialized in guitar rock based on ’70s and ’80s similar to Cheap Trick, Kiss, AC/DC and Van Halen.

Its worth noting that the musicianship here is solid and the era is re-created perfectly. “First Impression” really rocks out and “One More Cry” sound like lost hits from the proto-metal hair band era. Ballads like “For Angie” and “Traci” remind me of Extreme a little and the speed-metal “Leather and Lace” pulls out all the stops as the drummer goes wild. The album stays stylistically consistent throughout and even if they do go past the four minute mark on songs, it sounds like the band is having fun. “17” is a dead ringer for a lost Kiss single, and you’ll find plenty of favorites to add to your listening mix.

CD Baby | Amazon