Category: Highly Recommended by Powerpopaholic

Sam Means and Latvian Radio

powerpopaholic
Sam Means

Sam Means “10 Songs”

While not a household name, Sam Means was one half of the celebrated Arizona indie-pop act The Format alongside Nate Ruess (who later went on to form the Grammy Award-winning act, fun.) It took a while, but Means’ debut full-length 10 Songs was worth the wait and is bursting with an creative energy plus Jellyfish’s Roger Joseph Manning Jr. helped with arrangements!

Each song is part of a emotional narrative about the transition to adulthood. “How To Sing” is both whimsical and subtle with its bass lead and horn flourishes that builds to near white noise. Next “We’re Alone” is like a slow, gentle prayer that leads to “The Other Side Of You,” a catchy ear-worm with an accending scale (reminded me of Field Music here).  “Taking it Back To Yesterday” is the main theme of the album; a simple piano melody that grows into a sweet sing along. RJ Manning’s fingerprints are subtle, but on “Calina” it’s easy to spot on this brilliantly catchy song. The relaxed “All I Ever Wanted” is another feel good gem, but as we close out the album it slows as the mood turns inward on “Bigger Heart” that could be compared to Mark Oliver Everett (Eels) or Salim Norallah. Overall a brilliant album that gets on my top ten of 2016 list.

Itunes | Bandcamp


[su_spacer size=”40″]

Latvian Radio “Until Tomorrow Gets In The Way”

Latvian Radio is back with their fifth album as the band continues to blend Patric Westoo’s tight vocals with steady guitar riffs mixing both power-pop, UK post punk and new wave influences. Starting with “Eyes Behind The Lens” its a dense chiming melody with layered horns, vocals and a jangling rhythm. The organ textures cover the strong composition “Power Lines and Bedroom Blinds” with some nice percussive work from Mark Poole.

The music seems to get looser as we go forward, “Weight of The World” has a catchy synth hook and a casual narrative that make it my favorite track on the album. While the backing harmonies and light melody of “Tease and Please” is a bit tedious, the albums tone shifts to a more rock orientation on “Letter To The National Enquirer.” Latvian Radio continues to be criminally overlooked and deserves to be heard. Highly Recommended.

CD Baby | Amazon

Scott Warren and Stay

powerpopaholic
Scott Warren

Scott Warren “Good Love”

Scott Warren (Signal Hill Transmission) brought together the same cast as his 2012 effort Dyed In The Wool, but this time with a big studio sound complete with horns and string arrangements.  Starting with the solid “Good Love” it’s one of the best openers this year, with melodic muscle in the chorus. “Cold Feet” is worthy follow up, with a wicked guitar solo at the break about a hot-and-cold love affair.

“Idle Hands” recalls Matthew Sweet’s dense bed of drums and riffs, but then he slows down for “Why Won’t You Come Around?” before it builds up to a bluesy crecendo that knocks it out of the park. A few country styled songs are wedged in here, but don’t resonate as strongly as the rock. The ballad “Fall in Line” is a good palette cleanser for the Fleetwood Mac-ish “When I Get Away From You.” A slow tempo cover of Lindsey Buckingham’s “Trouble” closes things out. This is terrific album that deserves to be heard. Highly Reccomended!

Amazon


[su_spacer size=”40″]

Stay

Stay “The Mean Solar Times”

Barcelona based Stay are a psych-rock collective that bears more than a passing resemblance to Oasis, as the new album The Mean Solar Times was produced by Owen Morris (The Verve, Oasis) and features a guest guitar slot for Andy Bell (Ride, Oasis, Beady Eye). There is a solid Britpop vibe mixed with some psychedelic rock and so fans of both genres will enjoy the interplay of synths, organ, harmonies and great lead guitar riffs perfectly executed on “Pinkman.”

Fans of The Byrds will dig “You Know It’s Alright” with its easy going chorus and jangling bed of guitar rhythm. And while “Dirty and Alone” and “Always Here” have that Manchester vibe similar to The Stone Roses, the sitar is thrown in to give it a retro gloss. No real duds and a highly recommended trip through your headphones.

Amazon

The Cherry Drops and Propeller

powerpopaholic
Cherry Drops

The Cherry Drops “Life is A Bowl of Cherry Drops”

Is it possible to love the sixties sound too much? Nah. Vern Shank and his band the Cherry Drops have concocted an album that absorbs those retro influences like a sponge. Opening with a vocal Beach Boys prayer “Bliss,” it’s followed by the bubble gum gem “We’re So High” with its mellow psych-pop groove, reverbs and farisa organ. Then the band turns on a bit of the guitar muscle with the “Far Out,” and mentions almost every dance craze of the era. And its not just paying homage, as Steve Boone of The Lovin’ Spoonful is included on the sunny chorus of “Sweet Lovin.”

A few more guests include Mighty Manfred (Woggles) and Tony Valentino (The Standells.) There are a few covers (including a rare Badfinger tune), but its the originals that have plenty of hooks as “Light ‘Em Up” proves. Plus “It’s A Surfing’ Thing” is chock full of Dick Dale guitar licks. The danger here is a few songs can appear saccharine (“Everything’s Alright”) but most of the time The Cherry Drops deliver their pop with a sincerity that can’t be faked. Highly Recommended.

Amazon
[su_spacer size=”10″]

[su_spacer size=”40″]

Propeller

Propeller “Fall Off The World”

Propeller is back and with another quality power pop release. “Can You Here Us Now” is part Bryan Adams, part Bram Tchaikovsky with a great leading riff in the chorus. The bands compositions have gotten tighter as “Mismatched Shoes” and “Wish I Had A Picture” densely packs the harmonies on top of a bed of guitars. Lead singer Greg Randall’s vocal style reminds me of Nick Piunti too.

“She’s So Alive” is similar to Tom Petty with its jangling rhythm, and its one of my favorite songs here. The lyrics are mostly about the common teenage crush; “a girl with a beautiful name” is the source of inspiration for “It’s Kinda Why I Like You.” Not a single note of filler as the band goes through all ten high energy tracks. If you want to nitpick, the band doesn’t take its foot off the gas, and it would be nice to have a slower tempo break things up a little. Otherwise this is a real winner, and you can download these tracks on Bandcamp at a “name-your-price” or buy the traditional way. Highly Recommended and no excuses for letting this one pass you by.

Amazon
[su_spacer size=”10″]

Trolley and The High Llamas

powerpopaholic
Trolley

Trolley “Caught In The Darkness”

Milwaukee band Trolley continues it’s charge forward bringing 60’s inspired pop into the modern era.  This is the strongest effort to date, as the title track hits all the right notes, with solid support from organ and drums. A big highlight is “Thursday Girl,” with a combination of groovy retro synth and solid melody. Mod elements on “Crying All The Time” give way to a Byrdsian chorus that also meshes perfectly.

If it leans too hard on the retro conventions, it always seems to throw a curve in the melody or instrumentation like on “She Has It All.” But any shortcomings on some songs are overcome by the enthusiastic compositions, which never get predictable. Another gem “Losing That Madly In Love With Her Feeling” boast a good harmony in the chorus, and even goes a slightly punk on “The Kids All Sing.” Even the weird filler at the end of album is interesting.  I’m proud to list this as my first pick for the 2016 best-of  list.

Amazon | CD Baby
[su_spacer size=”10″]

[su_spacer size=”40″]

High Llamas

The High Llamas “Here Come The Rattling Trees”

Sean O’Hagan is back with another easy listening album, with all its wonderful subtleties and his influences are still mainly Brian Wilson, with a touch of Steely Dan. This narrative-driven project is broken up in several parts, with the main theme (title track) being lush and low key minimalist pop.

The vocals are in several songs, but most of this album is instrumental, with underscores all showing up first. “Brambles Black” is has a soothing bossa nova rhythm, with light synths and slow organ of “Mona’s Song” is another gem. Overall, this is what you’d expect from O’Hagan, his meticulous folk lounge music is meant to remain a sweet background soundtrack to your life.

Amazon
[su_spacer size=”10″]

Eytan Mirsky and Field Music

powerpopaholic
“Golden

Eytan Mirsky “Funny Money”

Eytan Mirky has long been a strong writer of pop songs that explore insecurity and hopeless love. Starting with “I’m Gonna Fight It” its got a bluesy hook that recalls a small scale Elvis Costello, Nick Lowe or Jonathan Richman about the everyman struggles with a “one true love.” The laid back pop smarts of “Somebody Played A Joke on Me” is almost like a Jimmy Buffet hit single, with a sweet guitar break by Jon Gordon. Its about small victories, as he tells a friend “You Got It Made” and recognizing the wrong girl in “I Saw Something In You.” Even tender ballads like “Watching Dawson’s Creek” are great, as it relates an old relationship to an old TV show. In a rare moment, “Good Hair Day” is an uncharacteristically happy and buoyant song that urges you to seize the day. These are all solid gems and most of these songs hit the mark. Super highly recommended.

[su_spacer size=”20″]
Kool Kat Musik | Amazon


[su_spacer size=”40″]

“Golden

Field Music “Commontime”

Field Music has never been a band that grabs your attention immediately, but the clinical musicianship mixed with nerd quirkiness shows occassional flashes of genius. The brothers David and Peter Brewis seem intent on experimenting here. The opener “The Noisy Days are Over” is a great microcosm of the band as a whole, with inventive percussive effects, a solid melody and a grand theme. You will hear influences from David Bowie, Todd Rundgren and the Talking Heads. “Disappointed” is a funky single that sounds like a lost 80’s classic, and the deliberate horn flourishes and piano melody on “But Not For You” bring to mind Steely Dan in its prime. “I’m Glad” has a warped time signature that few can make a single from. But its the meticulousness of their melodic structure that have won over a small cult of audiophiles. Some great examples include “They Want You To Remember” and “Indeed It Is.” The album could have used some editing, but overall its a rare treat. Highly Reccomended.

[su_spacer size=”20″]
Amazon