The Figgs and The Zags

The Figgs

The Figgs “Other Planes of Here”

It’s hard to come up with another band that’s been playing great music for over twenty years with consistency like The Figgs. After 2013’s career-spanning Anthology, the trio of Mike Gent, Pete Donnelly and Pete Hayes move forward. And like an expensive Cabernet, these guys get better with age.

Donnelly is a perfect example of a music machine, between his own solo work, NRBQ and The Figgs he’s like the Energizer bunny and it’s perfectly illustrated on “Late Nights and Early Flights” where a catchy melody drifts off into an echoing chaotic piano coda. “Wealthy Women” is more standard barroom rock and roll that fits right in with The Rolling Stones or The Satisfactors. The thick wah-wah and funky bass leads into the excellent “Oh My.” However this short album (8 tracks) starts to mellow out after “In A Small Hospital” jams away. No matter what, I’ll always be psyched to listen to The Figgs.
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The Zags

The Zags “The Zags”

Last years excellent EPs give way to a full album for this retro influenced Portland band. The Zags approach relies on David Ricardo’s distinct vocal and it carries things on “Play It Loud” and “Still Life.” The retro feel is toned down a bit as The Zags find their own style here.

“Frozen Toes” is a memorable, prog influenced song and keyboardist Rachel Broach carries “Not Your Meant-to-be” really well. The Zags make each track compelling listening, standouts being “Waves,” “Get Smart” and the psychedelic end track “Secret Staircase.” Highly Recommended.
power pop

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Nick Piunti “Beyond The Static”

Nick Piunti

At last years Power Popaholic Fest, Nick Piunti was promoting his debut “13 in my Head” and played alongside the brilliant Chris Richards & The Subtractions. He hinted to me then that a sophomore release was in the works, and I waited with anticipation. Nick has upped the ante with this release, as “Beyond The Static” delivers the goods. Nick also had the studio filled with notable musicians: Chris Richards, Andy Reed (Legal Matters), Donny Brown, and Ryan Allen.

The power chords of “It’s A Trap” ring out a cautionary tale about that little voice in your head trying to prevent disaster, “Just as soon as you’re certain, there’s a lie behind the curtain” he sings out. Vocally Nick still reminds me of Paul Westerberg, but now with a bit of Mike Viola. That dark mood sung with those catchy hooks is personified on “Heart Stops Beating.” And another signature gem “Time Machine” warns about hanging onto the past, “Been there done that too many times” he tells us.  “Six Bands” is a memorable melody about rejection in the music business where “just because, doesn’t mean you should.” Each track shines, without a hint of filler. And at the album’s end, the love song “Quicksand” is another great composition that just won’t leave your head. Easily makes my top ten list for 2015. Don’t miss this one!

power pop

CD Baby | Amazon

Dylan Gardner and Noel Gallagher’s High Flying Birds

Kyle Vincent

Dylan Gardner “Adventures In Real Time”

Dylan Gardner is a rare find in that he’s a young singer, songwriter, and multi-instrumentalist with a keen love of classic pop and the raw skill to produce a debut that’s both infectious and distinct. He’s been playing on stage since he was four, Dylan is a self-described “music nerd” who collects classic ’60s rock albums (The Beatles, The Beach Boys, Bob Dylan, The Rolling Stones, and The Doors are particular favorites). And like other young proteges Luke Potter or Drake Bell, he’s absorbed those influences quite well. Hell, anyone who can do Abbey Road in 15 seconds gets my respect.

Even the first line of “Let’s Get Started” gives away his enthusiasm as he sings “I’ll be John and you be Yoko…” to a marching rock beat. And he doesn’t sound particularly retro either, as “I’m Nothing Without You” builds from a simple strum to a richly produced chorus. “Too Afraid To Love You” highlights Dylan’s sharp arrangements, with layered harmonies throughout. He does a good job with a slow ballad (“The Actor”) and even though not every song sticks with you, keep in mind that Dylan has just started here. Fans of Coldplay and Maroon Five will like the concert pleasing tempo of “Feeling Of Love” or the upbeat fun of “With A Kiss.” Overall a highly recommended debut.
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Noel Gallagher’s High Flying Birds “Chasing Yesterday”

On the second album from Noel Gallagher’s High Flying Birds, the former Oasis lead writer starts off Chasing Yesterday, but ends up accepting that he’s one of the only artists from the Brit-pop era left standing that still caters to the old fan base (Nevermind these guys.) . And unlike brother Liam’s band, Beady Eye – he’s not stuck in the late sixites garage. Plenty of brooding too, but there is more than enough here to make me play highlights and recommend it to fans of great rock and roll.

Read my review on Blogcritics.org

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Kyle Vincent “Detour”

Kyle Vincent

Kyle Vincent is labeled as the “crown prince of soft pop,” by Goldmine Magazine for a good reason. He is probably one of the best pop vocalist singing today, and after his kid’s imitation Ed Sullivan intro he breaks into song on “Happy Me.” Kyle’s vocals sparkle along the chorus, with its multi-track backing and catchy verse making it one of the highlights. “Too Much Time In My Head” is a little quieter, introspective pop along a jangling guitar accompaniment, about “not wasting another day.” What stands out here is the way a soft pop ballad is perfected through Vincent’s mastery of lyric and vocal range. “Sometimes I Don’t Miss You” is another epic that stands alongside Eric Carmen with its depth and emotion.

The tempo and sanguine tone remain the same for much of the album, as Kyle croons out each sad expression and longing sigh. Exceptional examples are sparse “This Bed” and the title track. While some may find the themes a bit melodramatic, only someone like Kyle can pull this off correctly. Occasionally we get the bouncing catchy pop of “Forget You Girl” or the layered sophistication of “A Rock In My Shoe” and “San Francisco.” You’ll hear influences from Burt Bacharach, Barry Manilow, and Elton John. As far as adult contemporary pop goes, this is the LP to get and savor.
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Gavin Mee and Sonny and The Sunsets

Gavin Mee “Meemantras”

Irish native Gavin Mee is a veteran songwriter-troubadour who put together this brilliant album with fellow songwriter/producer Duncan Maitland (Pugwash). Fans of Pugwash, XTC and all you Anglophiles should line up to get this one. The magical “Push The Boy” is a combo of dance hall piano and acoustic riffs that will win you over with its sweet “ooh-na-na” backing harmonies. Another gem is the very ELO meets Kinks “First Place” with its horn, piano and guitar flourishes.

There are so many musical touchpoints, you get can dizzy with it. The spacey melodic pop of “Mosquito Chick” has a variety of instruments, and tempos. Gavin’s vocal has a slight rasp, like Mark Oliver Everett (Eels) wandering through Pepperland on “Penny Farthing” and “Peace Maze.” Eventually it all makes its way back to these child-like folk melodies, without a wasted note. Like the musical equivalent of sweet buttery toast, you’ll want to revisit these songs daily. Highly Recommended.

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CD Baby | Amazon

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The Statuettes

Sonny and The Sunsets “Talent Night at the Ashram”

Sonny narrates these character studies on a vintage trip for fans of psyche-based indie pop. On “The Application,” the surreal LSD like echoing vocals are accompanied by solid bass lines and smooth Beach Boys styled harmonies. “Cheap Extensions” is both compelling and disorienting with its stream-of-conscious lyrics and new wave guitar riffs.

Originally planned as a movie, it turned into an album that resembles The Beta Band doing “Revolution #9.” The albums core is a 7 minute opus called “Happy Carrot Health Food Store” which takes off into Zappa-land midway through. It’s weirdness that secretly has catchy pop music hidden underneath, and that’s fine with me. You’ll still want to listen to this with headphones in a darkened room.

power pop
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